02 May 2006

A Double-Play ... and a Hit: "The Real Inspector Hound" and "Black Comedy" at Augustana College

By Mike Schulz
Tom Stoppard's The Real Inspector Hound concerns theatre critics who wind up personally involved in the thriller they're reviewing, which puts me in the position of being a theatre critic critiquing a play about theatre critics critiquing a play. Stoppard must love this.
25 Apr 2006

Spank You Very Much

By Mike Schulz
Dave Levora and Darren Pitra - hosts of 97 Rock's "Dave & Darren in the Morning" (airing Mondays through Fridays, 6-10 a.m., on WXLP-FM 96.9) - have had me as a weekly guest on their program for years. Yet I won't kid myself.
25 Apr 2006

Comic Depth Perceptions: Augustana College's "The Real Inspector Hound" and "Black Comedy"

By Mike Schulz

In the realm of educational theatre, the rehearsal process for a main-stage show generally lasts several weeks, if not months. It can

be hard work. Yet if the selected material gives actors and directors enough to work with, what could be a laborious process is, for its participants, more often a joy.

18 Apr 2006

Spiking Your Own Drink: St. Ambrose University's Corinne Johnson

By Mike Schulz
"There's something about being in a live theatre," says St. Ambrose University Professor of Theatre Corinne Johnson, "and experiencing that moment with the actors and, maybe more importantly, with the audience.
11 Apr 2006

Litter Kitties: "Cats" at the Circa '21 Dinner Playhouse

By Mike Schulz

The Circa '21 Dinner Playhouse's latest production is, nearly element for element, an awesome technical achievement. The set, conceived by Dawn Robyn Petrlik, is a glorious mess of artful decay, Ron Breedlove's lighting effects are mostly extraordinary, and the sound quality is superb. (Dave Vanderkamp's continually outstanding sound design is overdue for mention.)

04 Apr 2006

Comedies Tonight: The Prenzie Players' "A Midsummer Night's Dream," and the Richmond Hill Barn Theatre's "Cliffhanger"

By Mike Schulz

A Midsummer Night's Dream at the Rock Island Masonic Temple

Theatre audiences are often witness to romance and, with the right director and performers, occasionally even to true love on stage. Yet it's rare to find passion and even rarer to witness carnality, two qualities that the Prenzie Players present in abundance in their juicy new production of A Midsummer Night's Dream at the Rock Island Masonic Temple.

29 Mar 2006

After the Rehearsal: Notes on "Charlie Brown"'s First Dress: "You're a Good Man, Charlie Brown" at Quad City Music Guild

By Mike Schulz

J. Adam Lounsberry and Nathan Bates in You're a Good Man, Charlie BrownAnyone who has spent a significant amount of time in theatre knows that if your first dress rehearsal goes even the least bit well, there's cause for celebration. Having seen the first dress of the Quad City Music Guild's You're a Good Man, Charlie Brown this past Sunday, I can assure the production's participants: There's cause for celebration, because things appeared to go considerably better than "the least bit well."

28 Mar 2006

Many Ways to Skin a "Cats": Dennis Hitchcock Discusses Circa '21's Latest Musical

By Mike Schulz
Author's note: Prior to my full-time tenure at the Reader, I worked at the Circa '21 Dinner Playhouse, and for Dennis Hitchcock, for 11 years. This was one of those rare interviews that didn't start with a handshake, but rather a hug.
21 Mar 2006

You're Not Just for Kids, "Charlie Brown": Music Guild Takes On Charles M. Schulz

By Mike Schulz
The comic-strip world of Charles M. Schulz's "Peanuts" characters has long delighted children, and the original, 1967 production of the musical You're A Good Man, Charlie Brown - with its cheerful tunes and hummable score - has long been a staple for young performers, having been consistently produced in high schools, middle schools, and even elementary schools across the country.
21 Mar 2006

The Not-So-Final Curtain: Iowa City's Dreamwell Theatre

By Audra Beals

After the most successful nine-month run that Iowa City's Dreamwell Theatre has ever seen, this sm

all company - which has long performed on borrowed stages and only recently secured a space of its own - is homeless once more.

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