Reader issue #601Rick Best acknowledges that public television isn't the unique presence that it was in the 1970s and '80s - virtually the only place on the television spectrum to find educational programming and serious shows on science, history, public affairs, and high culture.

"The landscape has changed a lot," said Best, the general manager of the Quad Cities' PBS station, WQPT. "PBS used to use the phrase, ‘If PBS doesn't do it, who will?' You don't hear that phrase being used so much anymore, because it got to the point where there were other answers out there."

The fifth Boys & Girls Club of the Mississippi Valley opened last month in the Roosevelt Community Center in west Davenport. The Roosevelt Club, as this group is called, held its grand opening on September 15. Unit Director Cliff Sims said the club fills a need in Davenport's west end because "many kids had nothing to do after school in this area."

The club, located at 1220 Minnie Avenue in the former Roosevelt Elementary School, is open Monday through Friday from 2 until 6 p.m. It opens one hour earlier on Wednesdays, because Davenport schools let out earlier that day.

Why are we not safe today?

(A) The U.S. Army was reduced in the 1990s by 500,000 active soldiers. Today we only have 417,186 active Army, 305,404 in the National Guard, and 154,047 in the Army Reserves. (These figures are from the September 15, 2006, Federal Executive magazine, page 38.)

(B) In the 1990s, the leadership of the Department of the Army reduced from 26 Army ammunition plants to only eight by 2006. (See History of Ammunition by George Nickolas, dated 2006.)

(C) The civilian production base for military ammunition and equipment reduced in the 1990s because of lack of requirements as reported to a congressional hearing in 2004. (See Federal Executive magazine pages 17 and 18 in the July 2004 issue.)

Kevin Burt

Mojo's Cafe and Borders Books & Music

Wednesday, October 4, 7 p.m., and Friday, October 6, 7 p.m.

 

Web page from the Butterworth Center Web siteThe slogan for Butterworth Center & Deere-Wiman House, "Where history lives in real time," can be taken literally when it comes to their new Web-site features. The Web site at (http://www.butterworthcenter.com) will now include free, downloadable audio features and mini-video recaps. Angela Hunt, who directs the public-relations program, decided to add the audio features after attending a local workshop about podcasting. The debut audio feature, "Makeover for the Birds," is a 20-minute interview with Program Director Gretchen Small. In the interview, listeners will learn about the historic homes' collection of Audubon's Birds of America prints from the 1860s. Of the 106 prints, the historic sites have 98. Small talks about how the Charles Deere family may have acquired the prints, and the sensitive restoration process that the prints are undergoing. Video recaps are also a high-tech addition to the 1800s-flavored website. The video recaps are two-minute segments and show highlights of past events or programs to background music. The Web site will post different audio topics on a regular basis, from snippets of tours, interviews, or programs.

 

 

Kathleen Van Hyfte's "Interference" When Joe Kelley was organizing the current Church | State exhibit for the Bucktown Center for the Arts, artist Les Bell asked him: "Is this going to be a blue show or a red show?" Kelley recalled.

In an interview this week, Kelley said he was hoping to find something in between: "I was hoping it would be a purple show."

It's curious that two arenas that are often best kept separated - art and politics - share the language of color. Blue signifies the Democrats on the electoral map, and red the Republicans. And red used to represent the threat of communism, whose adherents were of course called pinkos.

Yet those color labels reduce complex subjects and issues - even the populations of entire regions - and rob them of nuance.

Reader issue #600 When Sue Gabel's mother got sick two years ago and had a stroke, the doctor told the family that she would need to move from independent living to assisted living. Gabel and other family members scouted various facilities in the Quad Cities and selected one that told her they had a room for their mother.

When she arrived, though, the situation was different. "They put her in an empty room that had absolutely nothing in it but a bed and a table," Gabel said. They further told her that they still needed to evaluate her mother before placing her, and that they had a room in an Alzheimer unit that would cost an additional $1,000 to $1,200 a month.

"I didn't know what to do," Gabel said. "She is going to go absolutely nuts if she's in that [bare] room any longer."

This 600th issue marks the Reader's 14th year in publication. My husband, Todd McGreevy, and I founded this paper for several important reasons: to stimulate alternative viewpoints from those in the mainstream media; to disseminate relevant, truthful, well-researched information conveyed through intelligent writing; to expose Quad Citians to the community's vibrant arts culture populated by individuals and groups with plenty of energy and talent; to provide the area's most comprehensive calendar of events as a resource for both patrons and venues to inspire connectivity; to offer advertisers the opportunity to reach a loyal, educated, and economically active consumer group that defines our exceptional readership; and finally to provide meaningful, productive, and lucrative employment opportunities that creatively engage individuals in the vital mission of conveying need-to-know information in a collaborative environment.

Mike Schulz should take his own advice. For someone who rags on authors so much, he sure missed the point of his article "The Playwright Did It." (See River Cities' Reader Issue 599, September 20-26, 2006.) It's a play review, not a playwright review. While he spent seven-eighths of his time harping on the writing, he spent little time critiquing the production itself, save for a few passing lines. Of course, I'm glad no one in the cast got raked across the coals as much as the author was. Hopefully he keeps his eye on the ball next time.

 

Megan Ridl

Davenport

 

 

BeckIn a world where the size of album cover art continues to slide smaller with each new format, I salute Beck in his efforts to have a little fun with what visual space is left. Next week's release of his new Interscope CD, The Information, comes as a do-it-yourself project with a set of stickers and a blank cover as your workspace. Four different artists designed unique sticker sets, making each self-personalized cover a special little snowflake of love. Other goodies include homemade videos for every song, and the video for the first single, "Cell Phone's Dead," directed in black and white by the amazing Michel Gondry.

Pages