THE EXPENDABLES 2
If home viewings of The Expendables 2 are one day turned into a drinking game, and I pray that they are, one of the rules has to be that you chug every time the film employs a thudding cliché from the '80s, either directly or indirectly. A plot involving stolen weapons-grade plutonium? Drink! A team of he-men astonished that a new female recruit can actually do something? Drink! Dolph Lundgren wrestling with a Rubik's Cube? Drink twice!
Theatre
THE CAMPAIGN
TOTAL RECALL
Music
THE WATCH
If you're a fellow fan of Twin Peaks - David Lynch's 1990-91 cult favorite in which Special Agent Dale Cooper investigated the murder of high-schooler Laura Palmer - you can listen to folk singer/songwriter Sofia Talvik's latest CD thinking that the Swedish musician sounds, sometimes uncannily, like that TV series' resident chanteuse, Julee Cruise. With her light, airy soprano and haunting, faraway melancholy, it's easy to imagine Talvik herself hypnotizing crowds in a small-town biker bar, right before vanishing into the ether and being replaced by a cryptic bald giant. (It was that kind of show, bless its demented heart.)
Even if you entered the Timber Lake Playhouse's Boeing-Boeing unaware that author Marc Camoletti's play was a farcical comedy - its elbow-in-the-ribs title somehow not divulging that information - all it would take is one look at Nathan Dahlkemper's scenic design to know that some serious slapstick was bound to be in store.
THE DARK KNIGHT RISES
Music






