Jaime King and Megan Boone in My Bloody Valentine 3-DMY BLOODY VALENTINE 3-D

You can assume you're in good hands at a modern horror movie when, within its first couple of minutes, that grizzled, '80s-scare-flick veteran Tom Atkins (he of The Fog and Creepshow and Halloween III: Season of the Witch) shows up as a scowling local sheriff. You pretty much know you're in good hands when the very first thing that Atkins growls, upon finding himself ankle-deep in holiday-themed carnage, is "Happy fuckin' Valentine's Day!" And if, by some miraculous happenstance, you get to watch this seminal genre moment occur while wearing 3-D glasses, to boot... . Well, I've seen better movies than My Bloody Valentine 3-D recently, but bless its forcibly-removed heart, I can't remember the last one that made me feel - in a good way - like a 13-year-old again.

Music

The Last Tour

The Capitol Theatre

Saturday, January 24, 8 p.m.

 

The Last TourImmortalized in Don McLean's "American Pie," the date of February 3, 1959, will forever be remembered by rock 'n' roll historians and fans as "the day the music died," when the plane carrying Buddy Holly, Ritchie Valens, and the Big Bopper crashed north of Clear Lake, Iowa. Five days beforehand, though, the music was still very much alive in the Quad Cities, as this trio of legends brought their Winter Dance Party tour to Davenport's Capitol Theatre for two shows, rocking audiences with such classics as "Peggy Sue," "La Bamba," and "Chantilly Lace."

Justin Droegemueller, Amberly Rosen, and Buddy Olson in Ring of FireFriday's sensational opening-night presentation of Ring of Fire, the Johnny Cash tribute currently playing at the Circa '21 Dinner Playhouse, was the beneficiary of an awful lot of goodwill before the production even started, and very little of it actually had to do with Johnny Cash.

Don Hazen and Dee Canfield in The MousetrapIf you haven't yet attended a production of the show, Agatha Christie's murder mystery The Mousetrap - which has been running in London's West End for more than 56 years now - is definitely worth a look-see. Boasting ripe British caricatures and the author's signature brand of mordant wit, this clever, funny play is one of Christie's most enjoyably constructed contraptions.

If, however, you have seen The Mousetrap before, you'll still find plenty to enjoy in the Playcrafters Barn Theatre's current presentation of the piece ... even if the most enjoyable aspects of director Tristan Layne Tapscott's production are ones I can't get into here (at least not without plastering SPOILER ALERT at the top of every paragraph).

Liev Schreiber and Daniel Craig in DefianceDEFIANCE

Am I the only person who wishes that Edward Zwick would go back to making sharp, bitchy comedies like his 1986 Rob Lowe-Demi Moore romance About Last Night...? The director's latest - the action drama Defiance - tells the astonishing, true-life story of the Bielski brothers, who hid hundreds of fellow Jews in a makeshift Lipicza?ska Forest camp during World War II, and who managed to fend off Russian officers and German armies through innovation, daring, incredible bravery, and a well-stocked supply of artillery. With Daniel Craig and Liev Schreiber as the ideologically warring siblings Tuvia and Zus Bielski, Defiance is impassioned and serious and God knows it's sincere, and it wasn't until about 45 minutes had passed that I realized I no longer watch Edward Zwick movies; I endure them.

WALL-EWith the Golden Globes behind us and the Screen Actors Guild (SAG) telecast not taking place until January 25, there's nothing for movie-award hounds to do now but wait for the announcement of this year's Oscar nominations on Thursday, January 22.

Oh, wait, there is one thing we can do: We can make seemingly knowledgeable predictions that, in all likelihood, will eventually bite us in the ass!

 

Cara Crumbley, Tyson Danner, Sarah Ulloa, and Steve Quartell in Songs for a New WorldThe current production of the musical revue Songs for a New World features a winning, frequently exemplary quartet and some excellent design ... and, in all honesty, I doubt I'd have enjoyed this Green Room Theatre presentation nearly as much as I did had it actually been performed at the Green Room Theatre.

Clint Eastwood in Gran TorinoGRAN TORINO

As much as I love Unforgiven, Million Dollar Baby, and Bronco Billy, I'll admit that I've never been a huge Clint Eastwood fan. (Don't remember Bronco Billy? The 12-year-old in me will never forget it.) Gran Torino, however, is something truly special, a simple - though not simple-minded - and straightforward melodrama that succeeds as both a heartfelt meditation on aging and an exhilarating crowd-pleaser, and Clint is so thrillingly, spectacularly Clint in his latest directorial offering that it's likely his performance won't just please fans, but ensnare a batch of new ones. After catching the movie in Chicagoland during the holidays, I saw it again this past weekend both for the sheer enjoyment of the experience and to see if Gran Torino is really as good as I remembered. It is. (I also wanted to hear lines I originally missed through our raucous audience laughter, but no luck - the cackles were just as loud this time around. Maybe on a third viewing.)

arthoyle.jpgBorn in Mississippi, veteran jazz trumpeter Art Hoyle was raised in Oklahoma in the early 1930s, and says that jazz "was just an inevitable part of the black community when I was growing up. You heard it everywhere - jazz and blues, and gospel music, of course. It was just part of everyday living."

It became a much bigger part for Hoyle, though, on his eighth birthday, when the young man received his first trumpet - a gift he'd long been longing for. "I was overjoyed," says Hoyle, recalling that before he turned eight, "My mother took graduate courses at Lexington University in Oklahoma in order to qualify to teach in that state, and I picked up a trumpet in the band room one day and played some notes.

"Everyone was astounded at what I could do," he says with a laugh, "and I enjoyed the attention, so I decided I wanted to play the trumpet."

It's commonly understood that not all great movies are necessarily great-time movies, and I think we can all agree that not all great-time movies are necessarily "great." (Formally brilliant and historically essential though they are, I'm not sure I could summon the energy to sit through Intolerance or Triumph of the Will again, and while I love Harold & Kumar Go to White Castle to death, you'll never read 2,000 words on it in Cahiers du cinéma.)

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