West Side StoryI love making lists. Love it. And I get an annual charge out of composing "10 best"s for the Reader based on my movie-going experiences: 10 Best Films, 10 Best Guilty Pleasures, 10 Best Action Blockbusters Based on a Pre-Existing
Toy ... .

So when I started thinking about my forthcoming Year in Theatre recap a few weeks ago, I thought it might make for a fun change of pace to compose "best" lists for area stage productions.

You Can't Take It with You For 2006's Year in Theatre recap, I included a list of 12 talents whose gifts couldn't help but be noticed, as they had performed exemplary work on a number of theatrical offerings during the year, oftentimes at a number of area venues.

It's the list so nice I'm doin' it twice!

King o' the Moon So enough of my opinions already. The following are reflections by Derek Bertelsen, Tyson Danner, Kristofer Eitrheim, Kimberly Furness, Jennifer Kingry, Mandy Landreth, J.C. Luxton, Jackie Madunic, Angela Rathman, Jalayne Reiwerts, Susan Simosky, and Doug Tschopp - local-theatre artisans who enjoyed a memorable 2007.

 

Wicked Liz & the BellyswirlsIf your Mondays are anything like ours here at the River Cities' Reader, they're probably not the cheeriest days of the week. But I think I can speak for everyone here in saying that the next couple of 'em might not be so bad. Work on Monday, December 24, and then - blam! Day off, baby! Work on Monday, December 31, and then - blam! Really lethargic and cranky day off, baby!

Will Smith in I Am LegendI AM LEGEND

In Francis Lawrence's sci-fi/thriller I Am Legend, the images of a desolated Manhattan island are so extraordinarily rendered, and Will Smith is such an appealing one-man-show, that it's heartbreaking - and more than a little annoying - that the movie itself isn't better than it is. Based on Richard Matheson's novel, the film concerns a virus that has (seemingly) annihilated the entire human race save for Smith and a pack of predatory, zombie-like humanoids, and it presents a weird dichotomy; everything about the digitally-enhanced locale, and much of Smith's performance, feels absolutely real, and nothing else feels nearly real enough. It's B-grade comic-book material severely outclassed by its visuals and leading man.

Deadroots

Bent River Brewing Company

Saturday, December 29, 9 p.m.

 

"Everybody's like, 'What happened?'"

That's Chris Jansen, artistic director of New Ground Theatre, recalling a common comment received in the months after June's New Ground production of Living Here at Davenport's Nighswander Theatre.

It turns out that something rather monumental has happened with New Ground, as Jansen and her organization have rented the Village of East Davenport's Turner Hall, and are in the process of having a number of local theatrical groups join them there. But you can certainly understand the concern of Jansen's audiences, as one of New Ground's most recent pieces appeared to be almost frighteningly prophetic.

Nicole Kidman and Dakota Blue Richards in The Golden CompassTHE GOLDEN COMPASS

I would love to give an account of how the little kids in the audience reacted to Chris Weitz's The Golden Compass, but as school was in session during the Friday-afternoon screening I attended, there wasn't a single kid to be found. And I'd give you an account of how the adults reacted, but in all honesty, I was too busy trying not to fall asleep to notice.

Handel's Messiah and A Nova Christmas

Centennial Hall and Trinity Episcopal Church

Friday, December 14, through Sunday, December 16

 

Nicole Freitag and Eddie Staver III in Carousel When you attend the Green Room's re-imagining of Rodgers & Hammerstein's Carousel - and I'm trusting that you will attend this altogether glorious production - the first thing likely to catch your eye is the playing area's bucolic backdrop, its pastoral simplicity only tarnished by an off-center, crudely drawn Nazi swastika. A flip to the back page of Carousel's program finds director Derek Bertelsen devoting three paragraphs to the World War II ghetto of Theresienstadt. And when the show's actors dolefully enter the stage, they're wearing muted grays offset only by yellow Stars of David. Yes, you realize, this Carousel is set in a German concentration camp.

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