24 Oct 2006

Show Outta Nothin': The Prenzie Players Embark on Shakespeare's Henry Trilogy, Beginning October 27

By Mike Schulz

Certainly, there was cause for concern.

Reader issue #604 When the Prenzie Players made their 2003 debut with Shakespeare's Measure for Measure, they did so at Rock Island's Peanut Gallery, which didn't have a proper stage and could only seat, at maximum, 40 people. The show had an inadequate budget (between $200 and $300), a run of only two performances, and no word-of-mouth; Prenzie's founders - Cait Bodenbender, John "J.C." Luxton, Aaron Sullivan, and Denise Yoder - had every reason to expect Measure for Measure to fail.

Yet Friday night's show played to a full house. And on Saturday ... .

24 Oct 2006

Imaginary Heroes: "Flags of Our Fathers," "The Prestige," and "Marie Antoinette"

By Mike Schulz

Flags of Our FathersFLAGS OF OUR FATHERS

Clint Eastwood's Flags of Our Fathers is serious and noble, but it isn't resonant - despite some harrowing battle scenes, this World War II drama is surprisingly easy to brush off. Based on the James Bradley book, the film provides the back story to the historic raising of the American flag during the battle of Iwo Jima - a moment eternalized in Joe Rosenthal's famed photograph - and then follows the flag-raisers as they cope with their newfound status as American heroes, sent on a nationwide tour promoting war bonds. Yet with the exception of Rene Gagnon (Jesse Bradford), who is seduced by the limelight, the men don't feel heroic - John Bradley (Ryan Phillippe) falls into a jittery depression, and Native American Ira Hayes (Adam Beach) becomes a despondent alcoholic. These men didn't ask to be heroes. They just wanted to stay alive.

17 Oct 2006

Biennial Event a Big (Little) Draw: Doodle Day at the Bettendorf Public Library, October 21

By Mike Schulz

Seen by themselves, the images aren't all that special: A race car. A big apple. The likeness of Bart Simpson.

But then you see the signatures next to the images.

The race car was drawn by Mario Andretti. The big apple by the Big Apple's Donald Trump. And Bart Simpson? By Bart Simpson him/herself - Nancy Cartwright.

These are just three of more than 100 celebrity scribblings available through live and silent auction during the Bettendorf Public Library's biennial Doodle Day event, taking place at the library from 6 to 9 p.m. on October 21. For the fifth time since 1998, Doodle Day offers patrons the chance to own - for a minimum bid of $25 - what library Director Faye Clow calls "an original little artwork" from luminaries in entertainment, sports, and literature, the proceeds from which benefit library programming.

17 Oct 2006

Private Dick: "Shock to the System" at the QCAD Fundraiser, October 21

By Mike Schulz

Chad Allen and Shawn Roberts in Shock to the SystemSHOCK TO THE SYSTEM

A 2003 episode of Will & Grace finds Will on the phone with an acquaintance who recently came out of the closet, and who is initiating himself into the gay lifestyle by watching appropriately themed movies on DVD.

"Barry," Will explains, "it's okay that you didn't like The Broken Hearts Club or Kiss Me, Guido. Let me tell you a little secret that we try to keep within the community. Gay movies suck. But until the laws change, we're still obligated to go see 'em."

17 Oct 2006

Naughty and Nice: "The Threepenny Opera," at St. Ambrose University

By Mike Schulz

Jaci Entwisle & Jack Kloppenborg in "The Threepenny Opera" During Bertolt Brecht's The Threepenny Opera - the German dramatist's revolutionary musical-comedy collaboration with composer Kurt Weill - we're meant to feel uneasy. With its cast of beggars and rogues, obliteration of the fourth wall, and refusal to cater to conventional audience expectation (the songs here, devoid of proper finales, don't so much finish as stop), The Threepenny Opera is a fascinating, deliberately alienating piece. Our enjoyment stems from how unconventional the show is, but in no traditional sense are we meant to simply like it.

So in regard to director Corinne Johnson's Depression-era Threepenny Opera that recently opened St. Ambrose University's 2006-7 theatre season at the Galvin Fine Arts Center (and closed on October 15), was it a failing or a blessing that so many of its performers were so damned likable?

17 Oct 2006

Hail to the Cheat: "Man of the Year," "One Night with the King," and "The Grudge 2"

By Mike Schulz

Laura Linney and Robin Williams in Man of the YearMAN OF THE YEAR

The best I can say about Barry Levinson's Man of the Year is that, considering its advertising, it isn't at all the movie I was expecting.

10 Oct 2006

This Kitten Has Claws: "Cat on a Hot Tin Roof," at the Richmond Hill Barn Theatre through October 15

By Mike Schulz

Richmond Hill's "Cat on a Hot Tin Roof"Tennessee Williams' Cat on a Hot Tin Roof opened at the Richmond Hill Barn Theatre last Thursday, and I may as well preface by admitting that, before the show started, I couldn't have been more excited, as this classic has long been one of my absolute favorite plays.

10 Oct 2006

Imaginary History: Not-for-Profit Veteran Jane Wagoner Turns to Fiction

By Mike Schulz

If you visit the Web site for local not-for-profit-organizer-turned-author Jane Wagoner (http://www.janewagoner.com), you'll be able to read passages from her recent historical fiction, Bells of May, which follows five generations of women rooted in the Harz Mountains of Germany. Here's what you'll find on the site's first page:

Jane Wagoner"The kiss, begun in sorrow, ignited into passion, a passion born of desperation and loss, wild and unstoppable ... . They came together desperately, without nuance or soft caress. But Katherine, still virgin, was no stranger to orgasm and responded wildly to Christoph's thrusts ... ."

And trust me, things just get racier from there.

10 Oct 2006

Hit the Road, Jack: "The Departed" and "The Texas Chainsaw Massacre: The Beginning"

By Mike Schulz

Leonardo DiCaprio and Jack Nicholson in The DepartedTHE DEPARTED

Because Martin Scorsese's internal-affairs thriller The Departed is so colossally entertaining, so brimming with performance and filmmaking craft, I may as well get its major failing out of the way right off the bat: What the hell is Jack Nicholson doing here?

03 Oct 2006

Pointe Match: The Siyg Performs for "Ballet Rocks II," October 6 through 8

By Mike Schulz

The Siyg On the list of things that are tough to get youths on board with - right up there with meeting curfew and putting down their cell phones - attending the ballet has to rank near the top. Consequently, Ballet Quad Cities Executive Director Joedy Cook has, for years, been bringing the ballet to them.

"The majority of our performance now has some type of outreach component," Cook says of Ballet Quad Cities' public output, "whether we have a special school matinée, or we have programs that we go into schools with."

So when the time came to prepare Ballet Rocks II - a follow-up to last autumn's high-energy, rock-heavy collaboration between local rockers and Ballet Quad Cities - Cook was looking to capture the attention and interest of younger audiences, and to showcase her organization's second company of high-school dancers.

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