Comedy

Upright Citizens Brigade Touring Company

Augustana College

Saturday, January 26, 8 p.m.

On January 26, Augustana College's Centennial Hall will host an evening with members of the Upright Citizens Brigade Touring Company, and you can learn a lot about the acclaimed comedy troupe by visiting its Web site at UCBTourCo.com. For instance, you'll learn that, as the ensemble's home page states, "mainstream comedy is for jerks," and that its touring show with Brigade performer Horatio Sanz "will make you wet yourself with laughter," and its Blackout Drunk production boasts a "lack of self-control" and "an appalling lack of shame" ... .

Hey ... wait a minute ... . You don't think that calling themselves "Upright Citizens" is meant jokingly, do you ... ?

ZERO DARK THIRTY

As an orchestrator of cinematic suspense, Kathryn Bigelow might currently be without peer in American movies. The sequences of Jeremy Renner dismantling explosives in the director's Oscar-winning The Hurt Locker were miniature masterpieces of sustained excitement; despite our knowing, through much of the film, that it was too early for Renner's Sergeant William James to be killed off, each masterfully shot and edited act of bomb disposal vibrated with legitimate threat. In Zero Dark Thirty - Bigelow's and screenwriter Mark Boal's fictionalized docu-drama about the decade-long search for Osama bin Laden - nearly every scene feels like a ticking time bomb. There is, of course, never any doubt about the narrative's outcome, yet Bigelow's gifts for composition and pacing ensure that you still watch the picture with rapt attention and dread. And blessedly, she's also a spectacular entertainer. The movie is tough-minded and sometimes tough to watch, but even when Bigelow is fraying your nerves, she's tickling your senses.

THE IMPOSSIBLE

Juan Antonio Bayona's The Impossible, based on one family's experiences in the wake of 2004's horrific Asia tsunami, is a supremely well-designed, emotionally draining disaster tale, and its opening minutes filled me with great dread. If only that dread were caused by the approaching tsunami.

It's incomplete, with such 2012 releases as Zero Dark Thirty, Amour, Rust & Bone, Arbitrage, The Intouchables, Not Fade Away, and Here Comes the Boom (ha ha!) still requiring my viewing. And it's certainly eclectic, as even I can't fathom a double feature of titles number one and two below. But in an all-around outstanding year for movies, the following ranking of 10 selections - with a bonus inclusion - is, as of January 6, my list of the absolute best times I had as a film fanatic this past year.