Milla Jovovich in Resident Evil: RetributionRESIDENT EVIL: RETRIBUTION

If you were at a Friday-afternoon screening of Resident Evil: Retribution and heard, some 30 seconds before the end credits, an audible groan of frustration and annoyance, I apologize if my unplanned outburst was distracting. I just couldn't believe that this mindless, endless series was going to require yet another freakin' sequel.

Doug Stanhope

(Author's warning: You know that label that gets slapped on certain CDs boasting raunchy language? The one that reads "Parental Advisory: Explicit Content"? Please imagine that label getting slapped on this interview, too.)

If you read the praise bestowed on him by critics and contemporaries in Great Britain, you might imagine that Doug Stanhope is less a stand-up comedian than a stand-up deity.

The UK's daily newspaper the Guardian, for example, had this to say: "Stanhope shocks you with the virulence of his lucidity; he shocks you into realizing how transparent the confidence trick of Western propaganda can be made to seem. What he has in abundance is the charm, don't-give-a-damn swagger, and aggressive intelligence that make for important, exciting comedy."

Iconic British comedian Ricky Gervais, meanwhile, offered this tweet to the world: "Doug Stanhope might be the most important stand-up working today."

So how does the American Stanhope, who makes frequent tour stops in England and Scotland, feel about spending time abroad?

"I hate it," says the 45-year-old comedian during a recent phone interview. "It's not good at all. I mean, I have a great fan base over there, but I just hate the day-to-day of being there. It's so ... depressing. Like, I get seriously depressed, and I don't want to do comedy ever again, anywhere.

Royal Southern BrotherhoodMusic

Royal Southern Brotherhood

The Redstone Room

Sunday, September 23, 7:30 p.m.

 

On September 23, the Redstone Room will host a concert with Royal Southern Brotherhood, a group whose self-titled debut CD, released this past May, was praised for its "exciting mix of down-home Cajun-creole funky blues and good old Southern rock" by CoolAlbumRevue.com. Which begs the question: If you're being reviewed on a Web site called CoolAlbumRevue.com, are the specifics of your album's coolness even necessary?

Bradley Cooper and Zoe Saldana in The WordsTHE WORDS

Three separate narratives dovetail in The Words, a modestly engaging morality drama by writers/directors Brian Klugman and Lee Sternthal. Yet ironically enough, the one narrative I never bought into was the one that's meant to be the most believable, though heaven knows the other two aren't exactly models of cinematic authenticity.

Jeffrey Dean Morgan in The PossessionTHE POSSESSION

The new horror thriller The Possession is about a little girl who requires an exorcism to remove the evil dybbuk inhabiting her body, and it opens with a title card informing us that the film is "based on a true story." You know what I'm aching to see one of these days? An exorcism-themed entertainment that isn't based on a true story. Can you imagine how much fun these things could be if we weren't consistently asked to believe in them?

Sean Christopher Lewis and Tim Budd in Riverside Theatre's True WestAs of this writing, area venues have announced the titles to a collective 70 plays and musicals opening between August 31 and November 30. You wanna know my favorite title? Theatre Cedar Rapids' The Time When Presley and Mrs. Luther Took a Stand in the Alley, Kinda Sorta. It's the Kinda Sorta that makes it priceless.

Posing Beauty in African-American CultureExhibit

Posing Beauty in African-American Culture

Figge Art Museum

Saturday, September 8, through Sunday, November 4

 

According to the famed English poet John Keats, "A thing of beauty is a joy forever." According to its Web site, the Figge Art Museum's new exhibit Posing Beauty in African-American Culture runs from September 8 through November 4.

Such a dirty, rotten liar, that Keats.

Joseph Gordon-Levitt and Michael Shannon in Premium RushPREMIUM RUSH

Anyone who's ever wanted to perfect an imitation of Michael Shannon - fearless, ferocious, crazy-as-a-shithouse-rat Michael Shannon - is advised to catch the action thriller Premium Rush, because director David Koepp's movie finds the familiar character actor doing a pretty spectacular imitation of himself.

Rodney Swain, Brad Hauskins, Jennifer Diab, Andrea Moore, Sara Nicks, Bret Churchill, Jan Schmall, Marc Ciemiewicz, and Laura Hammes in The World Goes 'RoundThe fleet, funny noir opening to the Circa '21 Dinner Playhouse's Bootlegger revue The World Goes 'Round is actually quite misleading, as it bears almost no resemblance to the show that follows. Yet rarely have I been so happy to be misled, because the show that follows is a real beauty - thoughtful and nuanced and serious, and oftentimes boasting a gravity and sadness that, coming from the Circa '21 stage, feels legitimately shocking.

Sylvester Stallone, Jason Statham, and Terry Crews in The Expendables 2THE EXPENDABLES 2

If home viewings of The Expendables 2 are one day turned into a drinking game, and I pray that they are, one of the rules has to be that you chug every time the film employs a thudding cliché from the '80s, either directly or indirectly. A plot involving stolen weapons-grade plutonium? Drink! A team of he-men astonished that a new female recruit can actually do something? Drink! Dolph Lundgren wrestling with a Rubik's Cube? Drink twice!

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