THE IDES OF MARCH
Audiences demanding insight, or even much depth, from director George Clooney's The Ides of March will no doubt leave the film disappointed - unless, that is, the revelation that political candidates and their staffers routinely lie and spin and backstab strikes any of those viewers as a newsflash. Yet if you enter this tale of Machiavellian (and, as its title suggests, Shakespearean) intrigue not expecting trenchant analysis so much as a good, gripping yarn supremely well-told, you're in for a major treat. Smart and fast and gratifyingly vicious, Clooney's latest is a drama that plays like a thriller, and it's full-to-brimming with sequences you want to watch over and over again; for those conversant in West Wing-ese, the movie suggests a juicy episode of Aaron Sorkin's TV series if every character in it was played by Ron Silver.
"Most of our students work jobs when they're not at school," says Scott Community College (SCC) theatre instructor Steve Flanigin. "So when you say, 'We're going to do a play - who'd be interested?', you have to see who's available before you decide what play you can do. Because if they have to go to a job when we normally rehearse - Tuesday, Wednesday, and Thursday, from three to five - then they can't do the show.
50/50
Theatre
MONEYBALL
Like most professional performers, Chicagoan Nick Semar has a healthy number of musicals on his résumé.
DRIVE
Music
CONTAGION






