Music

Chucho Valdés & the Afro-Cuban Messengers

Englert Theatre

Friday, February 10, 7:30 p.m.

The latest guests in Hancher Auditorium's Visiting Artists series are the renowned Cuban pianist Chucho Valdés and his Afro-Cuban Messengers ensemble, who bring their exuberant Latin stylings to Iowa City's Englert Theatre on February 10. I should tell you, though, that if you visit Valdés' Web site (at ValdesChucho.com) wanting to learn more about the man yet don't know any languages beyond English, you may be slightly disconcerted by Valdés' biography, which begins: "Nacido en 1941, el pianista, compositor, profesor de música, arreglista y director de grupa inició su formación musical a temprana edad ... ."

But fear not! I've taken the trouble of running every phrase from the site through an online Spanish-to-English translator and have now learned everything you need to know about this artist whom All About Jazz calls "among the most accomplished jazz pianists from Cuba or anywhere else."

Well, I have to hand it to the Academy of Motion Picture Arts & Sciences: For all of the widespread grousing about its changing the rules regarding the Oscars' Best Picture race for the second time in three years, they did manage to make this morning's announcement of the 2012 Best Picture contenders exciting. And surprising. Very surprising.

EXTREMELY LOUD & INCREDIBLY CLOSE

The protagonist of director Stephen Daldry's Extremely Loud & Incredibly Close - based on Jonathan Safran Foer's famed 9/11/01-themed novel and adapted by screenwriter Eric Roth - is Oskar Schell, an 11-year-old Manhattanite who tells a new acquaintance that he was once tested for Asperger's syndrome, but that "the results weren't definitive." My first thought upon hearing that admission was that Oskar's folks really should've sought a second opinion, because with young actor Thomas Horn tearing through breathless reams of stream-of-consciousness dialogue, his condition seemed definitive as all-get-out. My second thought, which I only fully composed during the end credits, and which I apologize for in advance, was that watching Extremely Loud was like watching a movie while an 11-year-old with Asperger's yammers in your ear for 130 minutes.

THE IRON LADY

It's hardly a newsflash that over the past several years - well, forever, really - Meryl Streep has treated us to a run of extraordinary performances, and her Margaret Thatcher in the screen biography The Iron Lady is one of the most extraordinary of them all. Yet the vexing question regarding Streep's indelible work of late isn't "How does she keep doing it?" It's "How does she keep doing it with so little help from her directors?"