James Franco in 127 Hours127 HOURS

At my first screening of Danny Boyle's 127 Hours (which I initially caught in Chicagoland over Thanksgiving weekend), I was immediately knocked out by how vibrantly entertaining it was - hardly a fait accompli when a movie climaxes with a bloody act of self-amputation.

Elliot Spitzer in Inside JobINSIDE JOB

You might not think that director Charles Ferguson's Inside Job, the newly (and deservedly) Oscar-nominated documentary about 2008's global economic meltdown, would offer much in the way of participatory, audience-goosing entertainment. After all, this isn't exactly a Michael Moore doc we're dealing with here. Employing dozens of lucid, well-reasoned interviews with financial experts and reams of statistics and graphs, Ferguson's strong, angry, yet level-headed explanation of our current financial crisis is the polar opposite, in temperament and tone, of a Fahrenheit 9/11 or Capitalism: A Love Story. But while the experience of the impeccably photographed, sharply edited Inside Job is a mostly dead-serious one, damn but my audience appeared to have a good time at it - or, perhaps it's more appropriate to say, a cathartic time.

The King's SpeechIf you were wondering what that anguished roar was at approximately 7:40 a.m., it was probably the sound of thousands upon thousands of Christopher Nolan fans simultaneously wailing, "Not again!!!"

[Author's note: In the 11 days since this article was first published, a number of generally reliable pre-Oscar-nomination indicators have seen the light, including the nominees for several guild awards and the British Academy of Film & Television Awards (BAFTA), and the overall mood of the rooms during the Critics Choice Awards and Golden Globes ceremonies. Consequently, with less than 40 hours to go before the Academy Awards nominations are announced, I've changed my official predictions in a number of categories. Let's see if I turn out to be smarter or stupider in the wake of my last-minute changes! My new picks, along with some commentary, will follow the originally published predictions.]

 

No novelty with a newly expanded field of 10 nominees for the big prize. No ex-spouses dueling for the Best Director trophy. No nutty, left-field Best Picture contenders along the lines of Star Trek and Fantastic Mr. Fox and The Hangover. Where's the fun in reading predictions about this year's field of Oscar nominees?

Why, in the possibility of Mike falling flat on his precognostic face, that's where!

Natalie Portman and Ashton Kutcher in No Strings AttachedNO STRINGS ATTACHED

Against all expectations, at least my expectations, director Ivan Reitman's No Strings Attached is a perfectly enjoyable piece of midwinter fluff, engaging and breezy and of no consequence whatsoever. Yet I'll admit to being somewhat shocked when, two days after seeing it, I replayed the notes I quietly recorded during my screening, and discovered that I didn't whisper even one criticism or complaint in the whole of its 105 minutes, which is a claim I can't even make about The Social Network.

Then again, the movie is a formulaic romantic comedy starring Ashton Kutcher, so I suppose the complaints do take care of themselves.

artists of RumbaTapDance

Max Pollak & RumbaTap

Galvin Fine Arts Center

Saturday, January 29, 7:30 p.m.

 

Described by the New York Times as "wittily phrased," "groundbreaking," and "essentially a full-bodied experience," the Reader's What's Happenin' pages are ... .

Fine. Those Times quotes aren't in reference to the What's Happenin' pages. I can't get anything past you, can I?

But they are in reference to the latest area guests in Quad City Arts' Visiting Artist series: the gifted hoofers and musicians of Max Pollak & RumbaTap. Appearing at St. Ambrose University's Galvin Fine Arts Center on January 29, this acclaimed ensemble will wow crowds with its unique, exhilarating blend of Latin and jazz rhythms, and will do so, in part, with the aid of an instrument that we all have immediate access to: the human body.

Winona Ryder, Jennifer Connelly, Vince Vaughn, and Kevin James in The DilemmaTHE DILEMMA

Leaving a screening of The Dilemma, a friend sitting several rows away caught up with me, and asked if the film we just saw would likely make my list of the year's worst movies. I can't tell you how much I'm hoping it will, because if not, 2011 is going to be positively excruciating.

Created in 1997, this band quickly grew in popularity, playing a mix of classic rock, country rock, alternative,  heavy metal and ballads. Over the years the band also has opened and performed with national bands such as Kansas, Foreigner, Blue Oyster Cult, The Guess Who, The Drifters, Steppenwolf, The Grassroots, Head East and Tommy Roe. After 14 years, the band has decided to play their farewell shows at the Rusty Nail in Davenport. "It's been a great run! Larry's moving out of town later this year and after much thought and discussion we decided we would put NINE-1-1 to bed and go out with a bang!" says Dale Attwood, bass.
Fronting NINE-1-1 is lead singer Steve (Reno) Ebens. Having been in bands since 1976 in the Kewanee and Peoria area as a drummer in the band Quest, Steve moved to lead vocals in Main-Line and Triax. After a six-year break, Steve took his position with NINE-1-1.

Larry Heitzler, on the Hammond B-3 organ, Roland and Univox keys, studied 14 years of classical piano, over 35 years of classic and current rock 'n' roll with some blues, country and ragtime added to the mix.

Roger Canny has been playing drums for over 40 years. While playing for the U.S.O. tour overseas, he was awarded the Certificate of Esteem from the Department of Defense for Patriotic Service, Outstanding Showmanship and High Caliber of Entertainment.

On bass, Dale Attwood has played everything from classic rock to alternative, country to club dance, to concert events. He handles the rhythm, the bottom end, backup vocals, and even some lead.

Kurt Rocker grew up on guitar thanks to early influences from local greats like The Baker Bros., Jim DePoorter and Tim Compton, and later by Eddie Van Halen and David Gilmore.

NINE-1-1 FAREWELL SHOWS:
Friday & Saturday, February 4 & 5
@ The Rusty Nail
2606 W Locust St, Davenport, IA
9:00pm - 1:30am
Cover charge applies

Nicolas Cage in Season of the WitchSEASON OF THE WITCH

For one of my New Year's resolutions, I thought I'd attempt a pretty tough one: To not accidentally (or intentionally) doze off during any 2011 movies. Mind you, this isn't something I do at a lot of screenings - a Skyline here, a Speed Racer there. But falling asleep at the cineplex is, for me, rather like snoozing while in your office cubicle; it seems the least I can do during a stretch of daytime work is stay conscious. And as a test for my new resolve, what trickier challenge could I have asked for than the very first 2011 feature out of the gate: Season of the Witch?

Clay Cook Vs. Levi LowreyMusic

Clay Cook Vs. Levi Lowrey

The Redstone Room

Thursday, January 13, 8 p.m.

 

Now that the warm-hearted spirit of the holidays is over, we can finally get back to some good, old-fashioned, American brawling. With that, I present what is sure to be the acoustic grudge match of 2011: January 13's Clay Cook Vs. Levi Lowrey concert at the Redstone Room! Prepare for a nasty, no-holds-barred, folk-rock battle royale in this presentation by Dirty Water Events - hell, even the presenters' name is nasty!

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