30
Nov
2009
The story's kind of lame and the songs are kind of blah. But all told, the Circa '21 Dinner Playhouse's family musical Frosty's Magic Hat is a winning, rambunctious treat, the sort of unapologetically silly good time that can cause adults to laugh with even greater vigor and frequency than their pre-teen chaperones.
The Best Christmas Pageant Ever, the one-act play Barbara Robinson adapted from her beloved book, is set primarily in a church that stages a grade-school re-telling of the Nativity story - the exact same pageant, we're told, that the church puts on year after year after year. And after attending Friday night's hilarious, intensely charming production of Robinson's show, I, for one, would be totally on board with the Clinton Area Showboat Theatre opting to stage The Best Christmas Pageant Ever year after year after year, at least if director Jalayne Riewerts wouldn't mind making it an annual commitment.
FANTASTIC MR. FOX
In the Harrison Hilltop Theatre's current take on John Steinbeck's Of Mice & Men, actor Jim Seward plays the chatty, friendly ranch hand Candy, and at one point tells a story about his boss treating the workers to a gallon of whiskey for Christmas. It's a charming little reminiscence - Candy, in the terrifically ingratiating personage of Seward, giggles with delight at the memory - but it's also one that would probably be quickly forgotten if the scenes that followed didn't keep bringing it to mind.
THE TWILIGHT SAGA: NEW MOON
Roughly 10 minutes before the Prenzie Players' presentation of The Winter's Tale gets underway, there's a brief, improvisational scene between the Bohemian king Polixenes (David Furness) and Prince Mamillius (Stephanie Moeller), the young son of the king and queen of Sicily.
No show that opens with 10 sharply dressed, great-looking, terrifically talented performers dancing a spirited tap number can be all that bad, which is a good thing for Holly Jolly Christmas, the musical revue currently playing at the Circa '21 Dinner Playhouse. Considering, however, that the production has no loftier purposes beyond entertaining crowds with familiar holiday tunes and spreading a little yuletide cheer, I think audiences could be easily forgiven for turning to their theatre-going companions after the curtain call and saying, "Well, that was nice... but what the hell was it?"
2012
Music
The Playcrafters Barn Theatre's current, holiday-themed family presentation Papa's Angels begins on a note - or rather, a bunch of notes - of incredible sweetness.
