(The following is Mike Schulz's interview with Curtainbox Theatre Company co-founder Kyle Bornheimer, written for the area organization's Web site TheCurtainbox.com.)

At the end of my recent interview with Kyle Bornheimer - the Curtainbox Theatre Company co-founder who stars on the new ABC sitcom Romantically Challenged - I asked the actor if he was hoping, one day, to trek from California to the Midwest in order to see one of the organization's stage productions.

"Oh, definitely," he said. "I'm so impressed with what Kim [Furness] has done with the company. We would sit in her living room and all dream about taking this thing to the next level, and she's done that, so I definitely want to make it out there."

In the meantime, of course, Bornheimer has kept himself more than busy out there.

KICK-ASS

Considering that its climax finds 46-year-old actor Mark Strong beating the holy hell out of 13-year-old Chloë Grace Moretz - who was 11 during filming - I didn't hate the comic-book adaptation Kick-Ass the way I thought I would. I actually hated it in a completely different way.

For many, LeClaire resident Danielle Colby-Cushman is best known as a co-star of the History Channel's hit reality series American Pickers, and the office manager for the city's collectibles shop Antique Archeology.

Yet for some, she's perhaps better-known as the director/founder of, and a featured artist in, the area's only practicing burlesque troupe, for which Colby-Cushman performs comedy routines, dances, and (yes) removes her apparel under the stage name Dannie Diesel.

And for those who have either not heard of this unique company of entertainers - performing at Davenport's Capitol Theatre on April 24 - or are unsure of what it is they do, Colby-Cushman offers an example, taken from troupe member Birdie Belleville's 2009 striptease debut.

CLASH OF THE TITANS

For pure, unadulterated pop kitsch, it's hard to top 1981's Clash of the Titans, in which a blow-dried Harry Hamlin, as Perseus, waged war against the Greek gods while a glowering Laurence Olivier, as Zeus, gnashed his teeth from high atop Mount Olympus. And while I'm not suggesting that director Louis Leterrier's remake of this legendary swords-and-sandals extravaganza actually does top it, the not-so-guilty delight of his new version is that it stays remarkably faithful to the original's spirit; it, too, seems content merely to serve up a tasty helping of cinematic junk food - trash wrapped in cheese. With its blend of legitimately spectacular encounters and (I hope) intentionally retrograde visuals, this Clash of the Titans never pretends that it's anything other than a silly, instantly disposable good time, and consequently, can be easily enjoyed on its own, happily unpretentious terms.