Ashley Bell in The Last ExorcismTHE LAST EXORCISM

For the majority of its length, The Last Exorcism is a hell of a good time. I'd love to say that's because the movie is terrifying, but it isn't, really; the biggest jolt you're likely to experience comes in the first 20 minutes, when a teen unexpectedly hits a car's rear window with a rock. Yet until it goes seriously off the rails in its final third, director Daniel Stamm's low-tech scare flick is clever and engrossing (without being all that gross), and it boasts a protagonist who's something unique for his genre: a funny, friendly sort whom you're still aching to see get what's coming to him.

scene from RestrepoRestrepo would be supremely noteworthy even if it weren't a documentary on modern warfare in Afghanistan that somehow found its way to a Quad Cities cineplex.

Jason Bateman and Jennifer Aniston in The SwitchTHE SWITCH

Since it's a romantic comedy starring Jennifer Aniston that actually doesn't suck, it's temping to overrate The Switch, which opens with Aniston's Kassie preparing to be artificially inseminated, and BFF Wally (Jason Bateman) - who secretly loves her - swapping her sperm donor's donation for one of his own.

Jerry O'Connell in Piranha 3DPIRANHA 3D

Alexandre Aja's Piranha 3D puts you in the unexpected position of actively rooting for the piranha, not because the effects are all that great (they're actually pretty awful), but because more flesh for the fish means fewer irritating humans to put up with.

The River Is LifeMovie

The River Is Life

Veterans Memorial Park

Saturday, August 28, 8 p.m.

 

In describing his documentary adventure The River Is Life - in which two intrepid buddies kayak 2,300 miles down the Mississippi River - filmmaker Phillip Hullquist says that the movie follows him and fellow traveler Ryan Jeanes "from black bears in the north to gators in the south." He also says that his films "tend to be about things people would love to do, but are letting some reason, real or imaginary, hold them back."

For my part, black bears and gators are exactly the reasons I'd never kayak down the Mississippi, but Hullquist is clearly made of stronger stuff than I.

Michael Cera and Mary Elizabeth Winstead in Scott Pilgrim Vs. the WorldSCOTT PILGRIM VS. THE WORLD

Is there any working film director who adores actors more than Edgar Wright? I ask this after recently viewing (for maybe the sixth time) the British helmer's action spoof Hot Fuzz and (for maybe the millionth) the untouchable zombie satire Shaun of the Dead, comedies with the rare distinction of being populated entirely with sharp, funny performers; even the walk-ons - or, in Shaun's case, the lurch- and stumble-ons - are charismatic. And after seeing the director's latest, Scott Pilgrim Vs. the World, I think a wholly reasonable case can be made for Wright being the best friend that anyone with a SAG card and a dream could ever hope for. You could fill 110 movies with the joyous onslaught of personality on display in this movie's 110 minutes.

Creedence Clearwater RevisitedThe idea, says former Creedence Clearwater Revival bassist Stu Cook, began simply enough.

"Back in the mid-'90s, I relocated from southern California up to Lake Tahoe in northern Nevada, and Doug [Clifford, Creedence's former percussionist] had been living there with his family for 15, 20 years. We hadn't lived in the same area for decades, and we started hanging out every day, and playing music, and just talking about how much fun it was, and how it felt to play together again.

"So we were bound to get into trouble," says Cook with a laugh. "And goodness, look what happened."

Mark Wahlberg and Will Ferrell in The Other GuysTHE OTHER GUYS

I'm not going to pretend that I understood the crime plot in director Adam McKay's The Other Guys, which concerns Wall Street chicanery, bureaucratic red tape, a pension-fund swindle, and a suicide or a murder, though I'm hesitant to state exactly which. Seriously, when did goofy-ass Will Ferrell comedies get so complicated?

Step Up 3DSTEP UP 3D

From its opening, outdoor melee, in which we're assaulted by soap bubbles and multi-colored balloons, to its jaw-dropping dance-off finale, which suggests a mass seizure titled Attack of the TRON Clones, Step Up 3D is proudly, even profoundly, ridiculous.

Corinne Johnson in the Curtainbox Theatre Company's Wit(Author's note: I'm a proud ensemble member of the Curtainbox Theatre Company, and along with interviewee Lora Adams, am serving as co-associate producer on Wit.)

 

"When you hear that word - cancer - it's very surreal," says WQPT-TV Director of Marketing Lora Adams, regarding her 2008 diagnosis with the disease. "There's a moment when the reality of it not being a television show, or not happening to somebody else's family, has to sort of settle in. You have that moment of 'Holy crap.' And then once that happens, you move forward."

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