For my money, California Suite is the ideal Neil Simon play, as it's actually composed of four independent one-act plays, giving you far less chance to grow exhausted by his characters' persistent wisecracking.
Outside of a few pornos, I don't think I've ever seen a beautiful actress being treated quite so offensively on-screen as Malin Akerman is in The Heartbreak Kid.
On their surfaces, The Jane Austen Book Club and The Game Plan would seem to have nothing in common. One's a dramatic-sitcom wherein a sextet of bibliophiles dissect a noted author's works and unintentionally enact her plotlines; the other's a Disney slapstick wherein an adorable moppet teaches fatherhood lessons to a professional quarterback. (No points for guessing which film is which.)
In 1989, area natives Kelly and Tammy Rundle moved to Los Angeles in the hopes of jump-starting their movie-making careers, armed with little more than a title for their nascent production company: Fourth Wall Films.
And in the spring of 2007, after the release of their first, mostly self-financed feature, and with a second film nearing completion, the married couple took the next logical step.
Well before Seth Gordon's documentary The King of Kong: A Fistful of Quarters was released (in other markets) six weeks ago, the director/editor had also been tapped by New Line Cinema to remake it as a more traditionally crowd-pleasing Hollywood narrative. Having now seen Gordon's hugely enjoyable doc, I can barely fathom a more redundant film concept.
"Pop culture has always been with us, in one form or another," says Grammy-winning musical comedian "Weird Al" Yankovic, "and it always has its ridiculous elements. Especially in the music world."
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