If you're a fellow fan of Twin Peaks - David Lynch's 1990-91 cult favorite in which Special Agent Dale Cooper investigated the murder of high-schooler Laura Palmer - you can listen to folk singer/songwriter Sofia Talvik's latest CD thinking that the Swedish musician sounds, sometimes uncannily, like that TV series' resident chanteuse, Julee Cruise. With her light, airy soprano and haunting, faraway melancholy, it's easy to imagine Talvik herself hypnotizing crowds in a small-town biker bar, right before vanishing into the ether and being replaced by a cryptic bald giant. (It was that kind of show, bless its demented heart.)
Even if you entered the Timber Lake Playhouse's Boeing-Boeing unaware that author Marc Camoletti's play was a farcical comedy - its elbow-in-the-ribs title somehow not divulging that information - all it would take is one look at Nathan Dahlkemper's scenic design to know that some serious slapstick was bound to be in store.
THE DARK KNIGHT RISES
Music
ICE AGE: CONTINENTAL DRIFT
TO ROME WITH LOVE
The inherent danger in seeing any production of Footloose, whether on stage or screen, is that you risk having those maddeningly catchy pop tunes trapped in your brain for days. I'm therefore pleased to report that, less than 72 hours after attending the Timber Lake Playhouse's speedy and sprightly take on the musical, I no longer have "Let's Hear It for the Boy," "Holding Out for a Hero," and the rest playing in an endless mental loop. It's actually the performances by Karl Hamilton and Elizabeth Haley that I can't get out of my head.
THE AMAZING SPIDER-MAN
Music
Among Bye Bye Birdie's signature numbers is the show-tune staple "Put on a Happy Face," and barring one intentionally, gloriously sour exception, the cast for the Clinton Area Showboat Theatre's winning and energetic production of this Broadway warhorse has done just that.







