Logan Marshall-Green, Noopi Rapace, and Michael Fassbender in PrometheusPROMETHEUS

After many months of speculation, the question of whether Ridley Scott's Prometheus is, in fact, a prequel to the director's Alien can finally be answered: Hell yeah it is. And a good thing, too, because the enticing echoes of that 1979 sci-fi/horror essential are among the scant few elements that truly resonate in this visually extraordinary but only fitfully engaging endeavor.

Guys & Dolls ensemble membersOn any given day, the musical I consider my all-time favorite will either be Sweeney Todd or Guys & Dolls ... unless that day is the day after I've seen a production of Guys & Dolls, in which case it's the clear winner. Heaven knows there are plenty of entertaining, tune-filled warhorses from Broadway's golden era, but do any of them have the effervescent fizz and pop of composer/lyricist Frank Loesser's 1950 triumph, a beautifully constructed musical comedy so funny and clever and sweet that it can keep you happy and humming for hours - like, 100 hours - after it ends?

The Split LiversMusic

The Split Livers

Rock Island Brewing Company

Wednesday, June 13, 8 p.m.

 

On June 13, the Rock Island Brewing Company presents a concert with the recently formed collaborative duo the Split Livers, which I like to think of as the Reese's Peanut Butter Cup of the acoustic-punk bluegrass scene. My reasons for this are twofold. (1) Like peanut butter and chocolate, the Split Livers blends two separate ingredients - Wayne Gottstine of Split Lip Rayfield and Danny Barnes of Bad Livers - to form one signature taste. (2) Have you ever had a Reese's Peanut Butter Cup? Those things are freakin' awesome.

Charlize Theron in Snow White & the HuntsmanSNOW WHITE & THE HUNTSMAN

The first words heard in Snow White & the Huntsman are "Once upon a time ... ," and for the next 125 minutes, the movie unfurls like a malicious, exhilarating fairytale for adults - or a bedtime story for really, really naughty kids. In an age when most screen adaptations of familiar childhood stories quickly descend into camp - either intentionally (Mirror Mirror) or unintentionally (Red Riding Hood) - the intelligence and violence and emotional hunger of debuting director Rupert Sanders' Snow White saga feel utterly welcome, and even somewhat revolutionary. By the film's finale (and I presume this isn't a spoiler), good has triumphed and evil has been vanquished, but the weight of the characters' horrific experiences hasn't been forgotten; it's clear from their serene yet exhausted expressions that while Snow White and her kingdom's subjects get their Happily Ever After, they'll more likely be living Happily, Hesitantly, Ever After.

Andy Garcia and Mauricio Kuri in For Greater GloryFOR GREATER GLORY

To my considerable chagrin, before seeing For Greater Glory, I had no knowledge of the Cristero War that serves as the film's subject - a brutal conflict between devout Roman Catholics and the Mexican government that, in the late 1920s, claimed nearly 100,000 lives. Consequently, I thank director Dean Wright and screenwriter Michael Love for their two-and-a-half hour exploration of this years-long struggle, a movie that's intensely informative and sincere, and mostly engaging. If only it weren't also so sentimental, and so manipulative.

Josh Brolin and Will Smith in Men in Black 3MEN IN BLACK 3

Is it merely deserved absence making my heart grow fonder, or is Men in Black 3, against almost all expectation, awfully damned good?

Marquetta Senters in the Old Creamery Theatre's BusybodyAt last count, there were 74 plays and musicals set to open at area venues this summer. Although one of the productions is technically two separate productions. And four of them are technically one. And two of the plays are really readings of plays.

You know what? Let's just say 70-ish plays and musicals. That's still impressive, right?

Taylor Kitsch and Rihanna in BatleshipBATTLESHIP

In the latest effects-heavy entertainment by Hancock director Peter Berg, a group of heroic U.S. Navy and Japanese-military officers team up to fight a race of marauding aliens, four of whose spaceships have crash-landed in the middle of the Pacific Ocean. Battleship? This thing should've been called KerPlunk.

Johnny Depp in Dark ShadowsDARK SHADOWS

Dark Shadows, director Tim Burton's take on the 1966-71 gothic soap opera that remains a cult favorite, is gently satirical and totally watchable, and filled with inventive fringe touches. Led by Johnny Depp, its cast features a bunch of terrific comedians - a number of whom don't often get the chance to be comedians - and the visuals are thoroughly impressive. All told, it's probably Burton's best film, and certainly his best live-action film, in more than a decade. So why, in the end, doesn't all of that mean more than it actually does?

Mark MellitsMusic

Rhythm Unleashed: The Music of Mark Mellits

The Redstone Room

Saturday, May 19, 8 p.m.

 

The latest presentation in the Quad City Symphony's Signature Series finds four of the orchestra's members performing Rhythm Unleashed: The Music of Mark Mellits, taking place on May 19 at Davenport's Redstone Room. And if that seems like an ill-fitting venue for a symphony offering, you should know that according to the New York Press, Mellits' compositions suggest "what classical music has in common with rock and pop."

You should also know that according to the All Music Guide, "Mellits apparently draws considerable inspiration from food" ... but then again, who doesn't?

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