Back in 2006, when I composed my first list of a dozen theatre "Essentials" - theatrical talents whose gifts were employed in a number of area productions - I couldn't have imagined that I'd find a dozen new names to add year after year. Well, as 2009 draws to a close, we can officially add another " ... after year" to that sentence.

AvatarAVATAR

There are visual wonders galore in James Cameron's science-fiction epic Avatar, but what's most amazing about the film's design is how offhandedly wondrous it is.

The Princess & the FrogTHE PRINCESS & THE FROG

Like many of you, I'm sure, I've grown somewhat nostalgic for the hand-drawn animated Disney musicals of a long-ago era -- by which I mean the early '90s. But I'll be honest: Almost nothing about the previews for the studio's The Princess & the Frog convinced me that the old Disney magic was, at last, about to be recaptured.

Jon Wayne & the PainMusic

Jon Wayne & the Pain

Rock Island Brewing Company

Thursday, December 17, 10 p.m.

 

According to the online publication MinnPost.com, the reggae/ska syncopations of Jon Wayne & the Pain "not only propel you onto the dance floor," but "do so with a positive message about the struggles of life." Of course, speaking personally, I find that propelling myself onto the dance floor is one of the struggles of life.

Natalie Portman, Tobey Maguire, Bailee Madison, and Taylor Geare in BrothersBROTHERS

In director Jim Sheridan's Brothers, adapted from a 2004 Danish film of the same title, a stalwart Marine captain (Tobey Maguire) is captured, tortured, and presumed dead during his fourth tour in Afghanistan. Miraculously, however, he survives the ordeal, only to return home convinced - and not entirely without reason - that his loving wife (Natalie Portman) is sleeping with his ex-con brother (Jake Gyllenhaal). Even if the movie weren't a remake, this wouldn't exactly be the most inventive of plotlines, but there's still enough about Brothers that's raw, painful, and touching to make it satisfying melodrama regardless of its contrived design. Or rather, there would be, if you weren't so frequently distracted by all the capital-A Acting that's going on.

Meghan Gibson and Janos Horvath in Frosty's Magic HatThe story's kind of lame and the songs are kind of blah. But all told, the Circa '21 Dinner Playhouse's family musical Frosty's Magic Hat is a winning, rambunctious treat, the sort of unapologetically silly good time that can cause adults to laugh with even greater vigor and frequency than their pre-teen chaperones.

Sarah Stephan and Noah Strausser in The Best Christmas Pageant EverThe Best Christmas Pageant Ever, the one-act play Barbara Robinson adapted from her beloved book, is set primarily in a church that stages a grade-school re-telling of the Nativity story - the exact same pageant, we're told, that the church puts on year after year after year. And after attending Friday night's hilarious, intensely charming production of Robinson's show, I, for one, would be totally on board with the Clinton Area Showboat Theatre opting to stage The Best Christmas Pageant Ever year after year after year, at least if director Jalayne Riewerts wouldn't mind making it an annual commitment.

Fantastic Mr. FoxFANTASTIC MR. FOX

Film scholars widely agree that 1939 remains the strongest year ever for American movies. But I'm starting to think that, as the decades pass, 2009 might be seen as a comparable year for animated movies.

Matt Mercer and Steve Quartell in Of Mice and MenIn the Harrison Hilltop Theatre's current take on John Steinbeck's Of Mice & Men, actor Jim Seward plays the chatty, friendly ranch hand Candy, and at one point tells a story about his boss treating the workers to a gallon of whiskey for Christmas. It's a charming little reminiscence - Candy, in the terrifically ingratiating personage of Seward, giggles with delight at the memory - but it's also one that would probably be quickly forgotten if the scenes that followed didn't keep bringing it to mind.

Taylor Lautner, Kristen Stewart, and Robert Pattinson in The Twilight Saga: New MoonTHE TWILIGHT SAGA: NEW MOON

Like last November's film version of Stephenie Meyer's Twilight, this November's follow-up, the helpfully titled The Twilight Saga: New Moon, is a mostly dour affair, a vampire tale less concerned with blood-letting than with the pain of teenage heartache, romantic longing, chastity, and maudlin acoustic ballads. That's why, despite some occasional levity, it's a shock to find director Chris Weitz's movie boasting not one but two absolutely outstanding jokes.

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