Certain theatrical works are so inherently satisfying that they're pretty great even when their productions are only pretty good, and some are so firmly entrenched as classics that nothing less than spectacular will do. West Side Story is the rare piece that's actually both - a thrilling entertainment that many of us have seen way too many times - and the Timber Lake Playhouse's West Side Story is both, as well; it starts out as pretty good passing for pretty great, and ends up spectacular. By its finale, director James Beaudry's offering had morphed into one of the smartest, most impassioned versions of this legendary Bernstein/Sondheim/Laurents collaboration I've yet seen. It just took a while to get there.
"Life's full of surprises."
YOU DON'T MESS WITH THE ZOHAN
It takes considerable skill - to say nothing of nerve - to steal a show from the likes of Brad Hauskins, Adam Michael Lewis, and Eddie Staver III. But in the Circa '21 Dinner Playhouse's Empty Nest, actress Ashley Catherine Schmitt arrives halfway through the production, introduces herself to her co-stars, tucks playwright Lawrence Roman's comedy into her leg warmers, and all but dashes off with it. The play itself is too featherweight (albeit agreeably so) for this to be considered grand larceny, but it's certainly grand; Schmitt is like the guest you don't remember inviting who winds up being the life of the party.
When he took the stage before Thursday night's presentation of Thoroughly Modern Millie, the Clinton Area Showboat Theatre's producing artistic director - and Millie director - Craig A. Miller mentioned that audiences might notice a couple of changes at the 'Boat this year.
SEX & THE CITY
I hadn't heard of the two-person musical john & jen until it popped up on St. Ambrose University's schedule of studio-theatre productions for the 2006-7 season, as a project for director Scott Peake and music director Tyson Danner. I'm guessing a lot of you hadn't, either.
In their song "Old Salt Wells," the honky-tonk musicians of the Alkali Flats - based out of Sacramento, California - perform an up-tempo ode to the titular establishment, described in one of songwriter Tim White's lyrics as "the place where I first fell in love." It begins: "If you ever get the notion / That you'd like to see some motion / And you really wanna have yourself a ball / There's a roadside attraction / That'll give you satisfaction / They let it all hang out and that ain't all."
It's a busy day for Daphne Willis.







