26 Nov 2008

Vamping: "Twilight" and "Bolt"

By Mike Schulz

Robert Pattinson and Kristen Stewart in TwilightTWILIGHT

Let's just get it out of the way: No, I haven't read Stephenie Meyer's Twilight, and no, I didn't really care for the film version. But I won't begrudge the movie its popular appeal, because while watching director Catherine Hardwicke's and screenwriter Melissa Rosenberg's take on Meyer's teen-vampire tale, it was pretty easy to see what would make the material absolutely irresistible to its target audience. For those of us who aren't its target audience, maybe not so much.

19 Nov 2008

Octopissy: "Quantum of Solace"

By Mike Schulz

Daniel Craig in Quantum of SolaceQUANTUM OF SOLACE

As much as I enjoyed James Bond's re-invention in Casino Royale, I'll admit I was psyched to learn that the new Bond thriller, Quantum of Solace, was about 40 minutes shorter than its predecessor, which I felt was about 40 minutes too long. (The movie was great fun, but also proof that there can be too much of a good thing.) I presumed that this film's condensed running length would've led to an adventure that was even leaner, speedier, and livelier than director Martin Campbell's 2006 endeavor. So how, despite some fantastic set pieces and the continuing pleasure that is Daniel Craig, does Quantum of Solace wind up feeling about twice as long as Casino Royale?

12 Nov 2008

O.D.s 'n' P.I.s: "Holding Trevor" and "Ice Blues," at the QCAD Film Festival, November 15

By Mike Schulz

Brent Gorski and Eli Kranski in Holding TrevorHOLDING TREVOR and ICE BLUES

Even though they share the "gay film" label, the two evening presentations at the Quad Citians Affirming Diversity's November 15 film festival - Holding Trevor and Ice Blues - don't have that much in common: The former is a frequently comedic drama about gay youths in Los Angeles; the latter is a mystery featuring a gay detective in upstate New York.

Yet the movies do share one rather inspiring trait: Instead of making pious assertions that gays are "just as good as everyone else," they make the point - and make it subtly - that gays are just as goofy and messed up and human as everyone else, which is a far more inspiring and realistic message. They also share another trait: Both movies are really entertaining.

12 Nov 2008

Continental Divide: "Madagascar: Escape 2 Africa," "Soul Men," and "Role Models"

By Mike Schulz

Madagascar: Escape 2 AfricaMADAGASCAR: ESCAPE 2 AFRICA

Dreamworks' animated hit Madagascar concerned a group of Central Park Zoo denizens who, en route to Africa, find themselves stranded on the island of the film's title, and ended with the citified animals forcibly, though not unhappily, taking residence in their newfound environs. Not having seen Madagascar since its 2005 release, I'll admit that I had to look up this last bit of information before catching Madagascar: Escape 2 Africa. And if and when there's a Madagascar 3, I'll no doubt have to look up the details on its predecessor, because a mere two days after attending this sequel, I've already forgotten nearly everything about it.

05 Nov 2008

The Weak in Review: "Changeling," "RocknRolla," "Zack & Miri," and "The Haunting of Molly Hartley"

By Mike Schulz

Angelina Jolie in ChangelingCHANGELING

Clint Eastwood's Changeling finds John Malkovich giving a thoughtful, restrained performance as a righteous pastor, and Michael Kelly giving an exceptional one as a dogged detective. Oh, and the period design for the film's 1928 Los Angeles setting is quite good. Having gotten that out of the way, the rest of the movie is so awful - so maddeningly phony and contrived - that I wanted to hurl things at the screen.

29 Oct 2008

Sweet Corn: "High School Musical 3: Senior Year," "The Secret Life of Bees," and "Saw V"

By Mike Schulz

Vanessa Hudgens and Zach Efron in High School Musical 3: Senior YearHIGH SCHOOL MUSICAL 3: SENIOR YEAR

Sure, its storyline is simplistic and its romantic ballads are pretty dull (and compose half of the film's soundtrack), but in nearly every other way High School Musical 3: Senior Year is fantastic - a supremely spirited, candy-colored pop extravaganza that sends you out of the cineplex on an exultant high.

22 Oct 2008

Meet the Prez: "W.", "The Express," and "Max Payne"

By Mike Schulz

Josh Brolin in W.W.

I'm not exactly sure what kind of movie Oliver Stone's W. is trying to be, but that just makes it easier to appreciate it for what it is: A terrifically entertaining political comedy (with tragic undertones) that plays a bit like a sequel to Hal Ashby's 1979 Being There, in which a series of borderline-ludicrous circumstances find a friendly, well-meaning simpleton elected commander-in-chief. Now what?

15 Oct 2008

The War on Terrible: "Body of Lies," "The Duchess," and "Quarantine"

By Mike Schulz

Russell Crowe and Leonardo DiCaprio in Body of LiesBODY OF LIES

I learned recently that Russell Crowe gained 50 pounds for his role in Ridley Scott's action-thriller Body of Lies. To which I reply: For this role? Seriously?

08 Oct 2008

Happy, Grumpy, Dopey, Sleepy, Sleazy, Blissful, and Dog: "Nick & Norah's Infinite Playlist," "Religulous," "An American Carol," "Beverly Hills Chihuahua," "Flash of Genius," "Blindness," and "Appaloosa"

By Mike Schulz

Hollywood, in its infinite wisdom, chose to open a whopping seven wide releases this past Friday, and since the market apparently wasn't glutted enough, also expanded distribution of the Ed Harris western Appaloosa from 14 theatres to 1,045. As business strategies go, this one was a bit of a head-scratcher, but it was refreshing to see a weekend when there truly was something new for everyone - the only people screwed in the deal, it seems, were movie critics without access to press previews.

Oh hey, that's me!

01 Oct 2008

Native American Splendor: "Lost Nation: The Ioway," by Kelly and Tammy Rundle, on DVD October 7

By Mike Schulz

Lost Nation: The Ioway

LOST NATION: THE IOWAY

Last October, Moline-based filmmakers Kelly and Tammy Rundle debuted their documentary Lost Nation: The Ioway, a 53-minute exploration of the Native Americans for whom the state of Iowa was named. And if you were one of the lucky ones who saw this Fourth Wall Films production at its October 11 premiere in Des Moines, its October 21 engagement at the Putnam Museum & IMAX Theatre, or its subsequent screenings throughout the Midwest, you likely already know that it's something special - a fantastically informative, beautifully constructed, and (not for nothing) thoroughly enjoyable piece of work.

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