Javier Bardem and Penelope Cruz in Vicky Cristina BarcelonaVICKY CRISTINA BARCELONA

In 1992's Husbands & Wives, Juliette Lewis' neophyte reads an unpublished novel by Woody Allen's author, and responds to its romantic ennui with an exasperated "Are our choices really between chronic dissatisfaction and suburban drudgery?" Sixteen years later, with Vicky Cristina Barcelona, the writer/director's response appears to be: Yup. Yet while we Allen fans have been here before, we've never been here before.

Seth Rogen and James Franco in Pineapple ExpressPINEAPPLE EXPRESS

As the happily zonked, pot-dealing Saul in Pineapple Express - written by Superbad screenwriters Seth Rogen (who also stars) and Evan Goldberg - James Franco is wonderfully unpredictable. The actor has flashed the occasional grin in previous film roles, but his uncanny resemblance to James Dean finds him so often used for brooding melancholy, most notably in the Spider-Man films, that his emergence as an inventive and quick-witted comedian in this stoner-buddy action farce is cause for celebration. Or rather, it would be, if Franco had a better movie in which to display his gifts.

Gone with the WindBecause nobody has pushed The Dark Knight off its perch (either in the weekly box-office-receipts charts or in the Box Office Power Rankings) ... .

When Batman ($445 million through August 11) knocks Star Wars ($461 million) off as the second-highest-grossing movie in domestic-box-office history – which should happen this weekend – please keep the accomplishment in perspective.

 

Brendan Fraser in The Mummy: Tomb of the Dragon EmperorTHE MUMMY: TOMB OF THE DRAGON EMPEROR

Obviously we're not meant to take The Mummy: Tomb of the Dragon Emperor seriously, as it's a fantasy in which Brendan Fraser kicks the crap out of Jet Li. But honestly, even on this harmlessly dopey franchise's own lowbrow terms, could director Rob Cohen's installment be any more witless?

Heath Ledger in The Dark Knight Iron Man started the summer on May 2, and The Dark Knight signified the end with its release on July 18. Based on what we've seen in recent weeks - and the uninspiring upcoming release calendar - that's how Hollywood is marking the season these days.

Kate Winslet and Leonardo DiCaprio in Titanic After two weekends, the only question remaining about The Dark Knight's box-office prowess is whether it will become the all-time domestic champion, toppling Titanic. It's unlikely, but Christopher Nolan's second Batman movie is a very good bet to unseat Star Wars from second place, as long as we don't consider pesky factors such as inflation.

Will Ferrell and John C. Reilly in Step BrothersSTEP BROTHERS

As I see it, the only way you can remotely enjoy director Adam McKay's Step Brothers is by accepting that all of the characters in it, even the seemingly levelheaded ones, are out of their minds. And even then you might not enjoy it.

Heath Ledger in The Dark KnightTHE DARK KNIGHT

The buzz on Heath Ledger's portrayal of the Joker in The Dark Knight may start to wane by the time the late actor is awarded the Oscar for it, but the effects of this performance are likely to be felt for years, if not decades.

Selma Blair and Ron Perlman in Hellboy II: The Golden Army[Yes, we're aware that this is the second week in a row in which the movie-review headline is some sort of "Superman" pun. Considering how many superhero movies have already been released this summer, we're impressed that we've kept the tally to merely two.]

HELLBOY II: THE GOLDEN ARMY

I found Guillermo del Toro's Hellboy II: The Golden Army considerably more entertaining than the writer/director's 2004 comic-book adaptation Hellboy, but let's keep in mind that I didn't really care for Hellboy much at all.

Will Smith in HancockHANCOCK

It's been a couple of days now, and I find that my feelings toward the Will Smith blockbuster Hancock remain naggingly unresolved. And unfortunately, those feelings aren't going to be resolved through writing a review, because most of what I find troubling is troubling because of a mid-film plot development that I wouldn't dream of giving away. In the end, I found Hancock to be funny, smart, silly, exciting, preposterous, maddening, and unexpectedly haunting, but until it becomes safe to discuss the movie in full, it'll be tough to explain exactly why.

Pages