Jack Black and Mos Def in Be Kind RewindBE KIND REWIND

It's easy to enjoy writer/director Michel Gondry's Be Kind Rewind, but it's not the sort of enjoyment that lasts longer than your drive home from the cineplex, and the disappointment of the movie is that you really want it to be.

No Country for Old Men Let's begin with a caveat: I'm not very good as this Oscar-guessing thing. So if you're planning to use my predictions to help win your annual Academy Awards pool, you should know that two years in a row now, I've only guessed correctly in 15 out of 24 categories, giving me an average of .625 - a moderately underwhelming record.

Then again, if that were my batting average in professional baseball, I'd be a god, so I'm pressing ahead.

Rachel Weisz and Ryan Reynolds in Definitely, MaybeDEFINITELY, MAYBE

If anyone's keeping track, writer-director Adam Brooks' Definitely, Maybe is the third romantic comedy of 2008 to climax with its protagonist taking a hasty cab ride to an inevitable romantic clinch and subsequent Happily Ever After. And that's about the only conventional element in it. I'm a little staggered by just how wonderful this movie is, as nothing about the film, from its cutesy setup to the presence of leading actor Ryan Reynolds, appeared to suggest anything more than the latest spin on a tireless (and, by now, tiresome) genre. Yet Definitely, Maybe is sensational, so smart and witty and refreshingly grown-up that, hours after seeing it, you may still find yourself in a great mood; the only times I stopped smiling at the movie were when I was laughing out loud.

Sugar The Sundance Institute has spent two decades building what is widely recognized as the world's premier showcase for American and international independent films. The Utah film festival - with more than 50,000 attendees - converges on the ski town of Park City each January.

Kate Hudson and Matthew McConaughey in Fool's GoldFOOL'S GOLD

At one point during Fool's Gold's opening sequence, Matthew McConaughey's fortune-hunting hero is seen slo-o-owly hopping along the ocean floor, and for the next 110 minutes, the whole movie seems to be moving at the exact same speed. I understand that director Andy Tennant's (supposed) comic adventure isn't meant to be anything more than a featherweight romantic diversion - an excuse to watch the perfectly tanned McConaughey and Kate Hudson swap barbs while being photographed against intoxicatingly pretty Key West locales - and many in the audience appear content to accept it as such. But, good God, aren't these viewers at all bothered by how mind-numbingly lethargic the pacing is?

Jessica Alba and Parker Posey in The EyeTHE EYE

You know the expression "It's the little things in life"? Well, it's the little things in B-grade American remakes of Asian horror flicks, too, which is why I can't dislike The Eye as much as I probably should.

Dillon Freasier and Daniel Day-Lewis in There Will Be BloodTHERE WILL BE BLOOD

As much as I adored Paul Thomas Anderson's There Will Be Blood - and I adored nearly every second of its 150-minute running length - it's the type of movie that I hate composing a review for, because no matter what I write, I know it won't come close to doing the achievement justice.

Sylvester Stallone in RamboRAMBO and MEET THE SPARTANS

In recent articles, I've mentioned how thoroughly I'd been looking forward to There Will Be Blood, and some might wonder whether my anticipation had me predestined to love the film, regardless of what was actually on-screen. I'd like to think not, but it's hard to deny that expectations do play an enormous part in one's enjoyment - or lack thereof - of any movie.

Best Picture nominee JunoAmerican Gangster (R, on DVD February 19) - Back in November, I made an early prediction that Ridley Scott's underwhelming opus would not only be nominated for but win Best Picture and Director. Man, I'm glad my precognition abilities suck. The only nods tallied were for Best Art Direction and Supporting Actress contender Ruby Dee, making her five minutes the shortest amount of nominated screen time in Oscar history. Dee probably won't win, but she would've taken Best Bitch-Slap in a walk.

 

CloverfieldCLOVERFIELD

If the end of the world - or, at any rate, the end of Manhattan - eventually comes via a pissed-off, skyscraper-sized reptile, and the destruction is captured on video by an empty-headed twentysomething slacker goofus, the results will probably look and sound a lot like Cloverfield.

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