Shannon Curfman is an old soul in a young person's body.

"Buddy and I were ... talking about that actually - Buddy Guy," Curfman said in a phone interview last week. "He was kind of making fun of me. ... He's like, ‘You know what? That's bullshit. ... You're 20 years old and you've already gone through this. It took me until I was almost 70 to realize half this stuff.'"

"This stuff" is the nearly inevitable souring of a major-label musician on the business of selling records. Many performers need decades of being exploited by big corporations before they realize there's a better way. Curfman, who is now 21 and will be performing this Saturday at the Redstone Room, figured it out in her teens.

Pianist Sergio Tiempo and the Quad City Symphony Orchestra will perform Beethoven's third piano concerto as Beethoven never could - on a modern piano. But when the composer wrote the piece in 1800, that's certainly how he intended it to be played.

His Mozart-era piano couldn't sustain the heavy style of playing Beethoven envisioned; it actually snapped the strings.

"In a way, it is the first Romantic concerto which only found its true vehicle through later instruments," Tiempo said in an e-mail interview from Belgium.

The 34-year-old pianist has played the concerto for years, but he has yet to tire of the work. "It is one of those pieces that keeps growing inside of you throughout your life," Tiempo said.

On the list of things that are tough to get youths on board with - right up there with meeting curfew and putting down their cell phones - attending the ballet has to rank near the top. Consequently, Ballet Quad Cities Executive Director Joedy Cook has, for years, been bringing the ballet to them.

"The majority of our performance now has some type of outreach component," Cook says of Ballet Quad Cities' public output, "whether we have a special school matinée, or we have programs that we go into schools with."

So when the time came to prepare Ballet Rocks II - a follow-up to last autumn's high-energy, rock-heavy collaboration between local rockers and Ballet Quad Cities - Cook was looking to capture the attention and interest of younger audiences, and to showcase her organization's second company of high-school dancers.

Following last year's lament for Hurricane Katrina victims, this year's Chicago Jazz Festival - which ran from August 31 to September 3 - honored the birthplace of jazz, featuring performers from New Orleans and celebrating the impact of that city in the creation and evolution of jazz music.

Additionally, the festival this year was woven around tributes to four brilliantly creative and powerful musicians who forever impacted the nature of our relationship to jazz music. The first tribute was a ticketed concert Thursday at Chicago Symphony Center for John Coltrane's 80th birthday anniversary: "Ballads and Brass," featuring the Joshua Redmond Quartet and Kurt Elling with special guest Ari Brown.