Appearing together for the first time in their national “Surrounded & United Tour,” the contemporary-Christian artists of Newsboys United and singer/songwriter Michael W. Smith take the stage at Moline's TaxSlayer Center on April 19, sharing the talents that have resulted in chart-topping success and a collective 18 Grammy Award nominations.

This year, Easter weekend at the Redstone Room will showcase a thrillingly wide range of musicians and genres, as the Davenport venue hosts headlining sets with the folk-pop quartet Darlingside on April 19, the Quad Cities-based reggae talents of Rude Punch on April 20, and an Easter-Sunday concert with the Songbird Jazz Quartet performing as April 21 guests in Polyrhythms' Third Sunday Jazz Workshop & Matinée Series.

Delivering what the Associated Press calls “the next best thing to seeing the Beatles” and what the Toronto Star deems “a fun-filled family crowd-pleaser,” the gifted musicians and iconic impersonators of Rain: A Tribute to the Beatles bring their touring production to Moline's TaxSlayer Center on April 24, intoxicating crowds with their newest stage spectacular The Best of Abbey Road Live!

Touring in support of the band's sophomore album Lightning Roundan August release in which, according to Rolling Stone, its musicians “refine and polish the blend of indie-pop, folk, and rock that they introduced on their 2015 debut” – the Minnesota-based Bad Bad Hats play a Moeller Nights concert on April 24, demonstrating the talents that NPR described as “programmed to fire all neural pathways associated with carefree indie-rock fun.”

Lauded by the Washington Post for their “understated, country-tinged charm,” the husband-and-wife singing/songwriting duo of Karin Bergquist and Linford Detweiler bring their folk and Americana outfit to Davenport's Redstone Room on April 11, with the concert event An Evening with Over the Rhine demonstrating why Paste magazine raved about the group's “lovely, heartbreaking, and ultimately uplifting musical mosaic.”

Appearing in the latest stop on his national “Beer Never Broke My Heart Tour,” Grammy nominee and Country Music Association (CMA) Award winner Luke Combs takes the stage at Moline's TaxSlayer Center on April 12, sharing with fans the talents and presence that led the 29-year-old singer/songwriter to become the first artist to have five number-one hit singles on Billboard's Country Airplay Chart with his first five releases.

Celebrating nearly five decades of professional performance with accomplishments including chart-topping success, tens of millions in album sales, and 2000 induction in the Vocal Group Hall of Fame, the rockers of Three Dog Night play Davenport's Adler Theatre on April 12, their repertoire including such timeless hits as “Mama Told Me (Not to Come),” “Black and White,” and the iconic “Joy to the World.”

Composed of bass player Bob Skeat, guitarist Mark Abrahams, drummer Joe Crabtree, and guitarist Andy Powell, the latter of whom began recording with the group nearly 50 years ago, a legendary rock outfit plays Davenport's Redstone Room on April 16 in An Evening with Wishbone Ash, with the ensemble so gifted and venerated that its past openers at concert events have included the likes of Bruce Springsteen, Aerosmith, and KISS.

Delivering what All About Jazz calls “a definite fresh sound by a guy who should be in everyone's playlist,” pianist Josh Nelson and his outfit the Josh Nelson Trio present a public concert at Davenport's Redstone Room on April 4 and three additional area performances April 3 through 5, treating music lovers to the talents of an artist who, according to Jazz Times, “distinguishes himself as a first-rate player and composer with a fresh, wholly personal take on the music.”

Wrapping up a 2018-19 Masterworks season that has boasted legendary works by some of the world's most noted composers, the musicians of the Quad City Symphony Orchestra, on April 6 and 7, will turn their collective attention to the Quad Cities themselves in Quad Cities Past & Present, a repertoire featuring the world premiere of a QCSO-commissioned work by Chicago-based composer James M. Stephenson.