Photos from the Melvins concert at RIBCO on July 18, 2013, with opener Honky. For more work by Matt Erickson, visit MRE-Photography.com.

The Melvins:

Photo by Matt Erickson, MRE-Photography.com

Jer Coons and Caroline Rose

The pleasing Americana music and nimble, emotive vocals of Caroline Rose's "America Religious" - the title track from her debut album - mask massive amounts of meaning. Perhaps more accurately, they mask a lot of words whose meaning you're left to decipher for yourself.

Take this line, which Rose said she's frequently asked about: "America religious, I eat slices of white privilege processed by agri-business."

"What I want people to get out of that line and the song in general is discussion about what race relations are like, and what things like immigration reform mean today, and agribusiness," she said in a recent phone interview promoting her July 30 performance at the River Music Experience.

That didn't clear things up much, did it?

"I don't really care what people think that it means," she said. "As long as they're talking about it, I think it's great."

Based on America Religious, Rose certainly bears discussion. The music is varied, compelling, and sharp in its genre, with "Here Come the Rain" a standout in texture, arrangement, and vocal performance.

But the lyrics are what leap out.

Dan LevinsonHe's performed alongside such talents as Wynton Marsalis and Mel Tormé, and worked as personal assistant to jazz great Dick Hyman. He's toured nationally and internationally, landing everywhere from Paris' Bilboquet Jazz Club to Los Angeles' Playboy Mansion. He's been featured on Garrison Keillor's A Prairie Home Companion, and the soundtracks for The Aviator, Ghost World, and Boardwalk Empire.

But in the early 1980s, says jazz aficionado Dan Levinson, he couldn't even convince friends to listen to the music he loved.

"I was taking records out of a library in Santa Monica," says the 48-year-old Levinson, "and landed on a record that RCA Victor had put out called The Best of Dixieland, and the last track on it was the Original Dixieland Jazz Band's recording of 'Livery Stable Blues.' It was the first so-called 'jazz record' ever issued, in 1917, and I was absolutely blown away by it. I couldn't get enough of it. And I just assumed that when I played it for all my friends, they would feel the same way I did.

"So I played it. I said, 'Listen to them! Listen to that sound!' And I remember them saying, 'Oh, God, turn that off. What is that screeching noise?' And I said, 'That's the clarinet ... .'

"These were the same people who went to rock concerts and had music blasting in their ears, but they couldn't listen to 1917 jazz. They just looked at me. 'What happened to Dan?'"

Photos from the Grace Potter & the Nocturnals concert, July 13 at the Adler Theatre. For more work by Matt Erickson, visit MRE-Photography.com.

Photo by Matt Erickson, MRE-Photography.com

Buzz Osborne said that some concepts for the Melvins' 30th-anniversary tour - which stops at RIBCO on July 18 - got nixed.

Photos from the 2013 Mississippi Valley Blues Festival, held July 4 through 6 in downtown Davenport.

Kenny Wayne Shepherd. Photo by Matt Erickson, MRE-Photography.com

Mighty Sam McClain. Photo by Matt Erickson, MRE-Photography.com

Photos from the Rock the District concert in the District of Rock Island on June 29, 2013, headlined by Theory of a Deadman and also featuring 3 Pill Morning, Candlelight Red, and 3 Years Hollow. For more work by Matt Erickson, visit MRE-Photography.com.

Photo by Matt Erickson, MRE-Photography.com

After the River Cities' Reader's official guide to the 2013 Mississippi Valley Blues Festival went to press, the Mississippi Valley Blues Society announced that the festival was being moved from LeClaire Park to Second Street in downtown Davenport because of flooding:

Mississippi Valley Blues Festival organizers have finalized the site for the July 4-6 event in downtown Davenport. The 29th Mississippi Valley Blues Festival will take place on Second Street. Bandshell acts will perform on an east-facing stage near Ripley Street. Tent Stage acts will perform in the courtyard area just east of the River Music Experience at Second and Main. BlueSKool will be held on the River Music Experience's Community Stage, and workshops and the photo exhibit will be held in the River Music Experience's upstairs Exhibit Hall.

If you're an amateur guitarist hoping to turn pro, particularly one with an affinity for blues rock, you could certainly choose lesser talents to emulate than Kenny Wayne Shepherd. The 37-year-old musician, after all, has been already nominated for five Grammy Awards, has won two Blues Music Awards and two Billboard Music Awards, and was once named the world's third-finest blues guitarist by Guitar World magazine, with only B.B. King and Eric Clapton ranking higher.

If, however, you're an amateur guitarist who feels that the world of professional music will forever be out of reach due to your inability to actually read music, don't let that dissuade you from following your dream. It turns out that Kenny Wayne Shepherd doesn't read music, either.

"Yeah, I still play by ear," says Shepherd, who unofficially began his career as a self-taught guitarist at the tender age of seven. "I used to have to sound songs out one note at a time until I got from the beginning to the end of it. It was kind of a tedious process in the beginning, but you know, it's gotten easier over the years. Modern technology is a big help now, because I can just record things on my iPhone, but yeah - I just play what sounds good, and then I just have to remember it."

"Anyway, that's just some of the stuff," the soul-blues singer Mighty Sam McClain said to me in a recent phone interview. "You're a good listener."

He'd been talking, nonstop, for 31 minutes, responding to the simplest of opening questions: "What have you been up to?" After the compliment he paid me, he chattered for another 39 minutes, with just a few questions to prompt him.

Admittedly, the man has a lot to talk about.

He left his home in Louisiana at age 13 to escape an abusive stepfather. "He hit me a couple times," McClain said. "He hit me in the head with a hammer. Once. Then he hit me with a walking stick. So I was getting ready to kill him. I really was. He was a hunter. And there were guns all over the house. ... I thought about doing it."

Instead, he said, "I crawled out the window, and I didn't look back."

He then hooked up with Little Melvin Underwood, initially as a roadie and by age 15 - in the late 1950s - as a singer.

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