Four photographers offered us their images from the 2011 Mississippi Valley Blues Festival, and here's a sampling of their work, covering 18 Blues Fest acts. Many thanks to Cole Carrara, Steve France, Scott Klarkowski, and Norman Sands for sharing their work. (Sands' full Blues Fest gallery can be found here.)

Eric Gales

Otis Clay

DelGrosso/Del Toro Richardson Band

Dwayne Dopsie & the Zydeco Hellraisers

Ryan McGarvey


Koko Taylor Tribute

Paul Rishell & Annie Raines

The Way of the Blues Revue

Chris Beard


The Candymakers

Linsey Alexander

The Paul Smoker Notet

Chocolate Thunder

Mississippi Heat

Peaches Staten

R.J, Mischo with Earl Cate & Them

Sherman Robertson

Studebaker John & the Hawks

The audience

Jonathan Tyler & the Northern Lights

Jonathan Tyler has described his band's major-label debut, Pardon Me, as a "handshake album" - an introduction.

But unlike that description or the apologetic title, there's nothing polite about the full-bore rock produced by Jonathan Tyler & the Northern Lights - which will perform at the Redstone Room on July 7.

USA Today concisely summarized the appeal of the band in naming Pardon Me a pick of the week last year: "Did you think they'd quit making bands that groove as hard as they rock? You know, like ZZ Top, Lynyrd Skynyrd, and Aerosmith? Listen to this riff-heavy blast, the title track from this band's debut album, and think again."

Cody and Luther Dickinson

The North Mississippi Allstars' Keys to the Kingdom - released in February - was recorded and partly written in the wake of the 2009 death of Jim Dickinson, father to the band's brothers Luther and Cody and a noted producer and musician himself.

But the opening three songs should banish any thought that the album is a somber affair. Even when facing mortality straight-on, there's a joyful noise inherent in the band's blues-based music. And that will surely be evident when Luther and Cody Dickinson perform on Friday in a North Mississippi Allstars duo show at the Redstone Room.

From the sturdy blues of album opener "This A'Way" to the angry kiss-off of "Jumpercable Blues" to the gospel-tinged celebration of "The Meeting" featuring guest vocals by Mavis Staples, this is the sort of meaty roots music that earned the band multiple Grammy nominations and a Blues Music Award. The Chicago Tribune's Greg Kot said that the album is the band's best since its 2000 debut: "The Allstars play with unassuming ardor, letting the rawness seep through the edges of the arrangements. Drummer Cody Dickinson in particular delivers exactly what each song needs, nothing less, and keeps things swinging. It's the kind of unsentimental yet passionate tribute a musical legend and family cornerstone would surely appreciate."

Images by Scott Klarkowski from Friday's Michael Bublé set at the i wireless Center.

For more of Klarkowski's work, visit KlarkPhoto.com.

This year's Mississippi Valley Blues Festival - co-sponsored by the River Cities' Reader - will be held July 1 through 3 in downtown Davenport's LeClaire Park. The event features 27 acts spread over two stages, and the music begins at 5 p.m. on Friday and 2 p.m. on Saturday and Sunday.

In the links that follow, you'll find interviews with five of this year's performers.

In addition, the full festival schedule can be found on the back page of this week's River Cities' Reader or at MVBS.org/fest.

Advance tickets - $17 for a single day and $50 for the weekend - are available through June 30 at the Adler Theatre box office, Ticketmaster outlets, and local Hy-Vee stores. Admission at the gate is $20 per day. Children 14 and younger are admitted free with a paid adult.

Paul Smoker

It would be hard to argue that acclaimed trumpet player and bandleader Paul Smoker isn't an ideal local-musician-makes-good choice for the 2011 Mississippi Valley Blues Festival. After all, the 70-year-old was raised in Davenport, performed in numerous Quad Cities nightclubs (starting at the tender age of 14), and earned four degrees from the University of Iowa, including a doctorate in music.

Granted, if you were feeling particularly quarrelsome, you could note that Smoker isn't a blues musician, as he freely admits. But while he and his bandmates - the four-man ensemble the Paul Smoker Notet - will be performing at this year's festival in the annual slot reserved for jazz artists, it's not as though the blues is a genre he's unpracticed in.

Nellie 'Tiger' TravisWhen Nellie "Tiger" Travis sang "Wang Dang Doodle" - Koko Taylor's signature hit - she could never hit the high notes in the chorus: "We gonna pitch a wang dang doodle all night long."

"I always did it down low," Travis said in a recent phone interview. Then came Taylor's funeral in 2009.

"I hit the high note for the first time ever," Travis said. "That day, it just came out like that. ... I do it all the time now. ... I can't explain it. I don't know if it was a spirit thing, or if I was just so full until it just came out ... . I just know I hit it now."

"Is he soul? Is he blues? Is he gospel? Yes, and he has become an iconic figure in all those genres." - Chicago Sun-Times

Otis Clay

"I've always been a bit open-minded about the music," Otis Clay said in a recent phone interview. He recalled that when he first went professional, he performed a genre of music called jubilee that included show tunes alongside gospel. "In the '60s we would be all up in the Catskills during the week, and do churches on Sunday. I had done secular even then. [But] I never left gospel. It was all mixed up in there."

That genre-blending had begun even before Clay - who will receive the Mississippi Valley Blues Society RiverRoad Lifetime Achievement Award before his July 3 festival performance - started touring when he was 18. Born in Waxhaw, Mississippi, in 1942, Clay started singing in the church at four, but even then he was also getting a different music education. "My father was an entrepreneur - he always had a juke joint, and my mother was very religious. But ... for the Saturday-night fish fries, she would cook and sell sandwiches," Clay said. There he would listen to John Lee Hooker, Muddy Waters, and Howlin' Wolf on the jukebox. He was seven years old when he experienced his first live concert: Muddy Waters in Clarksdale.

The Lionel Young Band

With his 2008 victory in the solo/duo division, and his six-man ensemble's 2011 triumph in the band category, Lionel Young stands as the first double winner in the history of Memphis' International Blues Challenge (IBC). Meanwhile, the reviews that he and his Lionel Young Band have amassed would seem to back up the IBC's choices; Blues Blast Magazine wrote that the group "deserve[s] a place on your must-see list," and American Blues News called Young himself "an entertainer's entertainer."

Yet even given his awards and plaudits, this Colorado-based musician - one of the genre's few professional violinists - understands the importance of daily practice, and not just at the blues elements you might expect.

"Most people play loud and proud all the time," says Young during a recent phone interview. "Especially in the blues. But in any music, just like in any conversation, dynamics play a very important part. You know, when people want you to pay attention to what they're saying, they can either yell at you, or they can say something re-e-eally quiet. If you say something really quiet, people listen a lot harder.

Eric Gales

You wouldn't know it from his discography, but 2010's Relentless marked a comeback for the blues-rock guitarist/singer/songwriter Eric Gales. The Story of My Life was released in April 2008, and its follow-up came this past July - a pretty standard interval in the music business.

But there's a hint of his troubles on Relentless' lead track, "Bad Lawbreaker," on which he sings: "I'm a bad lawbreaker / Three strikes ain't enough for me."

In between those two albums, Gales served 21 months of a three-year sentence for violating the probation he received in 2006 for drug and gun charges. "I was smoking weed on the road and I didn't want to risk them telling me to come home in the middle of the tour" because of a dirty urine sample, he said in a recent phone interview. "I just said to myself, 'I'll deal with it when I get home.'" So he turned himself in after the tour and was sent to prison. (He couldn't play a guitar for his first six months of incarceration but - because of the intervention of a warden who knew who he was - eventually led a prison band.)

Pages