Andy Partridge - Monstrance XTC co-founder Andy Partridge gets his freak wiggle on next week in a loose, layered, free-form two-CD set that reunites him with an old mate from his heady new-wave days. Released on his own boutique label, Ape House Records, Monstrance is an improvised, instrumental three-man roundtable, with original XTC keyboardist Barry Andrews and the drummer from his own Shriekback concoction, Martyn Barker.

Little Charlie & the Nightcats The fills.

That's why Charlie Baty started really playing the guitar. In the early 1970s, when he met singer, songwriter, and harmonica player Rick Estrin, "I had never played guitar in a band," Baty said in a recent phone interview.

At that time, Charlie was the singer and harmonica player in his own band, Little Charlie & the Nightcats. But with Rick already an accomplished harmonica player and set to join the band, Charlie picked up his guitar and studied his Chicago blues heroes.

Dervish Few people in the United States have heard of it, but the Eurovision Song Contest might be likened to an American Idol for songs (rather than singers) on a multinational scale. The contest (http://www.eurovision.tv), which was started in 1956, draws hundreds of millions of television viewers, and it has helped launch the careers of ABBA and Céline Dion.

"It's like the Super Bowl in Europe," said Shane Mitchell, an accordionist and founding member of Dervish.

Coldplay, Turntable purists have a friend in Coldplay, as next week the band releases an import-only box set of singles on vinyl but not CD. Entitled simply The Singles 1999-2006, the 15 seven-inch records in the Parlophone project feature plenty of live B sides and the hard-to-find Blue Room EP split into two singles.

Hot Buttered Rum The band's instruments - including mandolin, fiddle, banjo, guitar - suggest folk and bluegrass. But the centerpiece of Hot Buttered Rum's second studio album, last year's Well-Oiled Machine, is "Waterpocket Fold," an instrumental tune clearly built on the intricacies and interplay of jazz and classical music.

drunk_dead_gorgeous.jpg Rock and roll, in its conventional hard-rock form, seems to have all but disappeared. Who practices this archaic type of musical expression, with its earnest guitar-bass-drums-vocals format and no acknowledgment of irony or speed metal, alt country, world music, hip hop, emo, or any other musical fashion of the past 20 years except grunge? Pearl Jam seems the last vestige of this noble tradition with both credibility and market presence.

Trend-chasing is less prevalent at the local level, of course, and Kewanee's Drunk Dead Gorgeous - playing at Penguin's Comedy Club on March 16 - creates unapologetic guitar rock that's heartfelt and played with passion. With its emphasis on acoustic guitars, the band's new-ish album, The Great Disillusion, sounds a lot like a collection of power ballads.

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Jazz drummer Leon Joyce Jr. and his trio will be featured with special guest vocalist Dee Alexander at the third-Sunday jazz workshop and matinée concert at the River Music Experience's Redstone Room on March 18.

Joyce will conduct a workshop on drum performance starting at 3 p.m., with admission $3 for students and $5 for adults. The matinée performance begins at 6 p.m., with admission $10 per person. The trio also includes Chuck Webb on bass and Curtis Robinson on guitar.

Cake Bringing back memories of the warm scent from an Easy Bake Oven, Cake is prepping a new CD that features "scratch and sniff" fun in the disc's limited edition. Releasing B-Sides & Rarities on their own at (http://www.cakemusic.com) and bypassing a record-label deal, the CD features two crazy covers: Kenny Rogers' and the First Edition's "Ruby, Don't Take Your Love to Town" and Barry White's "Never, Never Gonna Give You Up." One more cover is featured on the limited edition's bonus disc: a live stab at Black Sabbath's "War Pigs" with guest Steven Drozd of the Flaming Lips. Budding video directors are encouraged to submit an original visual accompaniment to the "War Pigs" cover, with the band ponying up a $1,000 prize.

Jen Chapin It's no surprise that Jen Chapin was pulled in several directions.

Her father, the late Harry Chapin, is most famous for writing and performing "Cat's in the Cradle" but was also a humanitarian, co-founding World Hunger Year (http://worldhungeryear.org) in 1975. (He died in an automobile accident in 1981.)

Jen Chapin, who will perform at the Redstone Room on Saturday, March 17, is following her own social-justice calling. She chairs the World Hunger Year board of directors, and will lead a forum on "Music & Social Action" at the Unitarian Church of Davenport on Sunday, March 18.

Terence Blanchard With all due respect to The Departed, the actual best picture of 2006 was one that didn't come to a theatre near you ... or, for that matter, to a theatre near anyone else.

Director Spike Lee's When the Levees Broke, a four-hour "requiem" focusing on the aftermath of Hurricane Katrina, has a scope, grandeur, and emotionalism that put the rest of 2006's output to shame - the documentary, available on DVD, made its debut on HBO last August - and much of its power can be traced to the extraordinary contributions of jazz musician Terence Blanchard, the acclaimed trumpet player here as the latest Quad City Arts Visiting Artist. (Blanchard will give a public performance at the Capitol Theatre on March 10.)

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