Raymond BensonWhen John Gardner retired from writing James Bond novels (after 15 years and 14 books) in 1996, the company that oversaw creator Ian Fleming's literary estate chose as his successor somebody with impeccable credentials.

Despite being an American, Raymond Benson knew 007 - both the literary and cinematic character - backward and forward. In the mid-1980s, he had written and designed three Bond-based games: two computer titles and a role-playing adventure. More importantly, he had researched and authored The James Bond Bedside Companion, an unauthorized and exhaustive look at Fleming and the Bond books and movies that was originally published in 1984 and updated in 1988.

From 1997 to 2002, Benson wrote six original James Bond novels, three novelizations based on Bond movies, and three Bond short stories.

But it would be a disservice to pigeonhole the 55-year-old Benson - who lives in the Chicago suburbs - as merely a Bond writer. He has had a varied career in theatre, music, video games, and novels beyond his Bond output. His latest book, Homefront: The Voice of Freedom, is a prequel to the upcoming video game Homefront. (The book was co-written by John Milius, who also wrote the game.) And in September, Benson will publish the first of what he hopes to be a five-novel series of adventures aimed at women called The Black Stiletto. As he put it in a phone interview last week: "I've moved on from Bond."

Well, mostly. Benson will be discussing the British super-spy at a March 30 lecture at the Bettendorf Public Library, and like the Bedside Companion, his lecture will cover all things Bond.

(Author's note: This article was originally published in September 2010, but it serves as a fitting review of the career of Ray Bradbury, who died on June 5, 2012.)


"But of course he was going away, there was nothing else to do, the time was up, the clock had run out, and he was going very far away indeed."

Sam Weller, Ray Bradbury, and Black Francis in June. Photo by Nathan Kirkman.Unless one believes that Mr. Electrico's command to Ray Bradbury should be taken literally, the famed author will likely not be on this planet to celebrate his 100th birthday.

For those unfamiliar with the Bradbury mythology, Mr. Electrico was a carnival magician Bradbury saw in 1932, when he was 12. Sam Weller describes the event in his 2005 biography The Bradbury Chronicles: "Mr. Electrico then approached the bespectacled, wide-eyed boy in the front row. Taking the [electrified] sword, he tapped Ray on each shoulder, then on the brow, and finally on the tip of his nose and cried, 'Live forever!'"

"Why did he say that?" Bradbury said to Weller. "I decided that was the greatest idea I had ever heard. Just weeks after Mr. Electrico said this to me, I started writing every day. I never stopped."

Immortality, of course, already belongs to Bradbury. His 1953 novel Fahrenheit 451 stands alongside Aldous Huxley's Brave New World (published in 1932) and George Orwell's Nineteen Eighty-Four (published in 1949) as a mid-20th Century cautionary-tale classic imagining a future full of numbing technology and invasive government. (See the sidebar "Pleasure to Burn -- Reading Fahrenheit 451.")

The book is the subject of the Moline Public Library's Quad Cities-wide "Big Read" campaign, which begins September 27 with a keynote lecture by Weller and closes on October 31 -- Bradbury's favorite holiday. (For a list of Big Read events, see the sidebar "Fahrenheit 451 -- Area Book Discussions, Panel Discussions, and Film Screenings.") But while Fahrenheit 451 is undoubtedly Bradbury's lasting long-form work, Weller noted in an interview last week that the book isn't typical of the author.

Daniel WoodrellOne thing you might notice picking up Daniel Woodrell's novel Winter's Bone is how thin it is -- less than 200 pages.

And when you start reading, you might be struck that it's been carved incredibly lean. While relatively plainspoken, the sentences are dense, with a mix of dialect from the Ozarks and artfully turned idioms that feel instantly right. One has to sip Woodrell's language.

"I do like to make it apparent to the reader that you need to probably read everything," Woodrell said in a phone interview this week, promoting his reading at Augustana College on April 15. "'I won't put in any flab, but you have to read what's here' is kind of my deal with the reader. ... Pay attention to the sentences."

Chippiannock Cemetery in Rock Island has its share of impressive monuments, from the elegant resting place of the Cable family to the massive 30-ton boulder (for Edward Burrall) and the six-ton polished-granite sphere (for Dean Tyler Robinson).

But for Minda Powers-Douglas, author of the new Chippiannock Cemetery book in Arcadia Publishing's "Images of America" series, it's the modest, handmade grave markers that mean the most.

Scott TurowYou might think that the art of writing fiction would have little in common with the art of practicing law. Scott Turow would beg to differ.

"They're actually very similar tasks," says Turow, the bestselling author who is also a partner at the Chicago law firm of Sonnenschein Nath & Rosenthal. "You know, you've got to shape characters and shape witness testimony ... . You are an author in both venues to a great extent, and particularly as a prosecutor, you really do need to keep your eye on the narrative, and make sure it's compelling."

Leslie Powell-SkinnerLeslie Powell-Skinner of Eldridge, Iowa, last month was named the winner of the American Library Association's At My Library Creative Essay contest. She won $350 for her poem "A 'Cents'ible Resource."

Ryan Collins"I think everyone has a complex relationship with where they're from," says Ryan Collins, the Moline native currently serving as Quad City Arts' poet-in-residence. "Especially if you've left and come back, which I've done more than once. But the prevailing opinion seems to be that there's nothing to do here. That it's kind of an in-between sort of place, you know?

"We're like a crossroads," he continues. "A place in between places. There's the state capital, the University of Iowa ... . These things are close, but, like, what's here?"

The question of "What's here?" in the Quad Cities is both directly and indirectly addressed in Collins' new chapbook, Complicated Weather. And the answer, as expressed in this thoughtful collection of poems, is as complex as the author's feelings about the area.

2009 marks Midwest Writing Center's 36th-annual Mississippi Valley Poetry Contest. This year Max Molleston, longtime contest administrator, passed the reins to local poet Kristin Abraham, author of Little Red Riding Hood Missed the Bus. Kristin reconfigured the contest to contain just two categories: regional and national.

A total of 349 poems were entered - 165 for the national category and 184 for the regional. Out of these entries, 25 finalists were selected to be judged by our regional judge, former Quad Cities Poet Laureate Rebecca Wee, and 25 were sent to our national judge, May Swenson Award-winning poet F. Daniel Rzicznek. From these entries our judges each selected first-, second-, and third-place winners as well as honorable mentions. First-place winners received $200, second-place winners received $150, and third-place winners received $75. The first-place regional winner also receives the Max Molleston Award, created by local artist Dee Schricker. All of the poems that were selected as finalists will be printed in Off Channel, Midwest Writing Center's Mississippi Valley Poetry Contest anthology, due out before the end of summer 2009.

The Midwest Writing Center accepts entries for the Mississippi Valley Poetry Contest from January 1 through March 31 each year. More information is available online at MidwestWritingCenter.org.

A reception and reading will be held on Saturday, July 18, from 7 to 9 p.m. in our conference room at 225 East Second Street in Davenport -- the Bucktown Center for the Arts. All individuals who submitted poems to the contest are invited to read their work.

(Editor's note: John Granger, the author of The Hidden Key to Harry Potter and Looking for God in Harry Potter, will present two lectures in the Quad Cities on Thursday, April 23: "From Muggle Lead to Spiritual Gold: The Literary Alchemy of J.K. Rowling's Harry Potter Novels" at 10:30 a.m. in Augustana College's Centennial Hall (3703 Seventh Avenue in Rock Island), and "Why Reading Matters: Good Books & the Life of Christ" at 7 p.m. at Broadway Presbyterian Church (710 23rd Street in Rock Island). What follows is the transcript of an interview of Granger by Augustana students Stephanie Grider and Ellie Ryan. For more information on Granger, visit HogwartsProfessor.com.)

Ellie Ryan: You have said that readers of the Harry Potter novels experience what you call "apotheosis," or a kind of spiritual transformation via their identification with Harry as they are reading. Please say more about that.

James W. LoewenThe cliché says that history is written by the winners, but that's not true when it comes to history textbooks.

For the most part, they're not even written by the "authors" whose names grace the covers. Instead, they're written by employees of or freelancers for publishing companies deathly afraid of controversy -- fearful that a passage offensive to virtually any constituency will result in their books not being adopted in schools.

James W. Loewen's Lies My Teacher Told Me -- first published in 1995, and revised and updated in 2007 -- documents how badly the most popular high-school textbooks teach American history. As part of the Quad City Arts Super Author program, Loewen will discuss his work at seven programs from April 15 to 17. (For a list of events, click here. To read about Chris Crutcher -- the other Super Author visiting our area next week -- see "Innocence, Ignorance, and Experience: Quad City Arts 'Super Author' Chris Crutcher Discusses His Controversial Young-Adult Literature.")

Loewen has also written Lies Across America (which tackles historic-site markers the same way he attacked history textbooks) and Sundown Towns, about communities with written or unwritten laws designed to keep them free of racial minorities. And he co-wrote a textbook on Mississippi history that gave him his first insight into the textbook-adoption process that avoids controversy at the expense of truth.

Accessible, passionate, detailed, and often startling, Lies My Teacher Told Me documents the errors, lies, and omissions that mar history textbooks -- opening with Helen Keller's ignored radicalism and expanding its scope from there, dealing extensively with society's treatment of Native Americans and blacks and also critiquing the presentation of more modern events, including the wars in Vietnam and Iraq.

Beyond the details that are wrong, the core narratives in these textbooks are problematic, Loewen said in a phone interview last week. He said history textbooks suggest "unrelenting, automatic progress," the idea that "we started out great and we've been getting better ever since."

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