With its ornate ceiling and fascinating, borderline-gaudy hanging light fixtures in the District Theatre's new home in the former Rock Island Argus building, A Few Good Men seems an appropriate inaugural production, in that the space looks like a courtroom - at least while you're looking up. Following the company's sometimes uncomfortable (for patrons) stint in its previous, rather cramped venue, this open area with the ceiling rising two stories above the floor is a much welcome relief, allowing director Lora Adams' staging of Aaron Sorkin's courtroom drama to breathe in ways that, for the District Theatre, it otherwise couldn't have.
                                
DRAFT DAY
THE IDES OF MARCH
MONEYBALL
THE SOCIAL NETWORK
 Imagine an episode of TV's The West Wing performed at half-speed, and underwater, and you may begin to approximate the experience of the Richmond Hill Barn Theatre's opening-night performance of A Few Good Men.

 




