Ensemble members in The Birds

What this says about the state of America I don’t know ... or maybe don’t want to know. But for the first time since I started attending Genesius Guild’s season-closing comedies more than a decade ago, director/adapter Don Wooten’s political jabs and jokes – here in service of Aristophanes’ The Birds – were less ridiculous, much less ridiculous, than current, real-world politics. I may have left Friday’s opening-night performance wishing it were more biting, but in retrospect, in this particular year, playing it safe may have been the smartest way to go.

"Cabaret" In the 11-week period between June 1 and August 12, I saw 28 area productions. And how did you spend your summer vacation?

Considering the overall great time I had last summer, though, I was hardly dreading this relentless schedule. I'd spent 10 whole months eagerly anticipating my return to the Clinton Area Showboat Theatre (CAST), Mt. Carroll's Timber Lake Playhouse, and - for Genesius Guild productions - Rock Island's Lincoln Park; the summer-theatre triad would be responsible for 17 of those 28 offerings. (Summer 2006 would also provide my introduction to Eldridge's Countryside Community Players, whose Cinderella I missed last year.)

Oh man, how I'm going to miss Don Wooten.

The Genesius Guild founder, who will be retiring from active Guild duties after this, his 50th season with the organization, kicked off Saturday night's production of Aristophanes' The Birds with a few opening remarks to the Lincoln Park audience, and as is often the case, they were the most sincere, relaxed, and effortlessly amusing words heard all night. (Wooten also serves as The Birds' director and, uncredited, wrote its faithful but very loosely structured Genesius adaptation.)