THE ADVENTURES OF ROCKY & BULLWINKLE

One of the happier surprises of last summer was the release of South Park: Bigger, Longer, & Uncut, a marvelously written musical comedy that transcended its source material and shot off into a madcap animated universe all its own, raising the bar for all future TV-show-turned-feature-film projects. And while it would be great to report that the film version of The Adventures of Rocky and Bullwinkle approached South Park's level of cinematic exuberance, the filmmakers are facing an uphill battle: The animated series this one is based on is already such a whirligig of action, cliffhangers, and verbal and visual puns that raising the ante on it as a movie seems kinda pointless. (Clever and funny though it often is, the South Park TV series has nothing on the brilliance of the original R & B series.)

BIG MOMMA'S HOUSE, SHANGHAI NOON, and ROAD TRIP

First, the good news: the new Martin Lawrence comedy, Big Momma's House, is nowhere near as terrible as Mrs. Doubtfire, his last film to put its comic star is prosthetic drag for most of its length. The bad news, as you might have expected, is that the movie still isn't very good.

FREQUENCY

All tearjerkers, in one way or another, focus on death. Tearjerkers for Guys, however, focus on the death (or impending death) of one's father. For my money, the crème de la crème of this genre is Field of Dreams, where Kevin Costner's love of baseball (another Tearjerkers-for-Guys staple) leads to the resurrection of his long-deceased dad, and which is so shamelessly manipulative and contrived and romantic about its supernatural and spiritual possibilities that it's irresistible.