PARANORMAL ACTIVITY 2

Paranormal Activity 2, which serves as both sequel and prequel to last October's low-rent horror smash, employs the same scare tactic that made its predecessor such a shivery good time: An unbroken, stationary, nighttime shot that we stare at for long seconds while waiting - and waiting - for an unseen demon to subtly (or not-so-subtly) announce its presence. The difference, though, is that instead of a nocturnal view of a young couple's master bedroom, director Tod Williams' follow-up gives us six camera setups of its type, each positioned in a different part of a sprawling California dwelling. You'd think this would result in six times the spooky fun, but sadly, Paranormal Activity 2 is only about one-sixth as scary as the original, and even that might be a generous estimate.

LET ME IN

With apologies to those firmly on either Team Edward or Team Jacob, I was, until recently, convinced that the best vampire movie of the past 10 years was director Tomas Alfredson's Let the Right One In, the widely acclaimed, beautiful, and very scary Swedish thriller from 2008. But after seeing director Matt Reeves' new remake, Let Me In, I'm thinking that - Heresey Alert! - this one just might trump it.

THE LAST EXORCISM

For the majority of its length, The Last Exorcism is a hell of a good time. I'd love to say that's because the movie is terrifying, but it isn't, really; the biggest jolt you're likely to experience comes in the first 20 minutes, when a teen unexpectedly hits a car's rear window with a rock. Yet until it goes seriously off the rails in its final third, director Daniel Stamm's low-tech scare flick is clever and engrossing (without being all that gross), and it boasts a protagonist who's something unique for his genre: a funny, friendly sort whom you're still aching to see get what's coming to him.

DESPICABLE ME

When a computer-animated feature doesn't have the Pixar label attached to it, I tend to be grateful for whatever flashes of true cleverness I can get, and it's a pleasure to report that Despicable Me delivers hundreds, if not thousands, of these flashes. They arrive in the form our protagonist's minions, and are called Minions, and resemble canary-yellow gel capsules with functioning limbs and one or two eyes. They're also just about the cutest, silliest, funniest damned creatures that have ever waddled, bounced, and shrieked through an animated outing (excepting your own children, of course). I liked Despicable Me just fine, but I never loved the movie more than when these miniature slapstick wonders were on-screen; the Minions' boss may be a super-thief, but these goofy little buggers easily steal the show.