The opening scene in the Richmond Hill Barn Theatre's The Robin Hood Caper is one you've likely sat through, in different iterations, in numerous stage comedies over the years. It introduces us to the young, flummoxed journalist Richard Collins, who, as his conversation reveals, is dealing with all manner of personal crises: shaky finances; an underhanded mayor with plans to shutter Richard's newspaper; a fiancée demanding a wedding date. Richard's Aunt Flora, meanwhile, takes this all in with a sympathetic ear and an occasional, dotty reminiscence of her own, and routinely shifts her focus back to her needlepoint.