Originated in Italy in the 16th Century, the theatrical form commedia dell'arte traditionally finds a group of actors participating in a comedic scenario featuring slapstick conceits called mécanisme. And for his original commedia dell'arte presentation at St. Ambrose University, one fittingly titled Commedia Dell'arte, director Daniel Rairdin-Hale insists that he and his cast have come up with some mécanisme doozies.

Beth Woolley in Bear GirlThe local theatre troupe the Prenzie Players is most commonly known for stylistically bold, occasionally gender-bending takes on classical dramas and comedies, principally the works of William Shakespeare. But the company is about to embark on a particularly challenging experiment with its forthcoming production of the debuting Bear Girl - and the play's author, Prenzie co-founder J.C. Luxton, could hardly be accused of aiming too low.

"If you think of Shakespeare's Henriad," says Luxton, referencing the Bard's historical trilogy of Richard II, Henry IV, and Henry V, "it's kind of the epic of England. An epic story of who we are and how we came to be. And I think what I'm trying to do with Bear Girl is the beginnings of something similar for the Quad Cities area."

Vanessa Redgrave and Rhys Ifans in AnonymousANONYMOUS

Heaven knows that no one goes to a film by the director of Independence Day, Godzilla, The Day After Tomorrow, 10,000 B.C., and 2012 for the cinéma vérité. But how are thinking audiences supposed to react to Roland Emmerich's Anonymous, a tale of Machiavellian intrigue so sincere about its high-minded yet ludicrously silly drivel that one has little choice but to snicker at it?

 Eddie Staver III[Author's note: The following interview with Eddie Staver III was written for TheCurtainbox.com, the Web site for our area's Curtainbox Theatre Company. I'm proud to say that I'm an ensemble member with the theatrical organization, and along with Staver, am a cast member in the company's September 15 - 25 production of Time Stands Still.]

 

A company member since 2009, Eddie Staver III made his Curtainbox Theatre Company debut as the haunted title character in 2008's Danny & the Deep Blue Sea, and went on to appear as the amoral salesman Moss in 2009's Glengarry Glen Ross, the troubled son Eddie in 2010's Fool for Love, and, later that year, clinical oncology fellow Jason Posner in Wit. And when I mention to people that Staver is returning to the Curtainbox to play James in Time Stands Still - his first role for the company in over a year - the response I get is almost always the same: "Where has he been?"

Bob Hanske and Patti Flaherty in AjaxI make a conscious effort to suppress expectations prior to seeing a production, for fear they'll rise to the unattainable. With Genesius Guild's Ajax, however, I couldn't help it. I was so taken with last year's Andromache, performed in traditional period masks, that I was giddy with anticipation to see this summer's Greek-tragedy offering. And despite a few apparent stumbles over lines and one glaringly missed cue, director Don Wooten's effort did not disappoint. Saturday night's performance of Sophocles' piece captivated me with its creative execution.

(seated) Ava Miller, Sarah Loula, Hannah King, and Michaela Garrison; (standing) Stephanie Moeller, Faith Rebekah, and Adam Overberg in A Midsummer Night's DreamI arrived at Genesius Guild's Friday-night performance of A Midsummer Night's Dream 10 minutes prior to the start of the show. What would otherwise be adequate arrival time for most of the Guild's performances proved a problem for this one - I could not find a seat. Other than a few spots on the not-comfortable-enough-for-more-than-two-hours bleachers, the seats were filled. With patrons already staking out spots on the surrounding lawn, I was forced to return to my car, grab a lawn chair, and jockey for a position to best view the night's performance.

Laura Ambrose and Martin Andrews in A Midsummer Night's DreamIt's mid-June, and love is in the air... particularly for the actors in Riverside Theatre's Shakespeare Festival who are performing A Midsummer Night's Dream. This Iowa City show boasts stellar performers and a beautiful outdoor stage in City Park - the perfect combination for a magical evening of great theatre. Under Ron Clark's direction, Midsummer lives up to its reputation as Shakespeare's sexiest play, bawdy jokes and all.

Risky Business

"The Winning Streak"Theatre can be a great escape, but it can also be so much more. In 2006, most of the area's challenging works were presented by the New Ground Theatre, My Verona Productions, and the Prenzie Players, and over the past year and a half, I've had the pleasure of interviewing the impresarios of these organizations: New Ground Artistic Director Chris Jansen, My Verona producers Sean Leary and Tristan Tapscott, and Prenzie founders Cait Bodenbender, John Luxton, Aaron Sullivan, and Denise Yoder.

So, as I'm on a first-name basis with all of them, permit me to direct a few holiday cards their way:

A Midsummer Night's Dream at the Rock Island Masonic Temple

Theatre audiences are often witness to romance and, with the right director and performers, occasionally even to true love on stage. Yet it's rare to find passion and even rarer to witness carnality, two qualities that the Prenzie Players present in abundance in their juicy new production of A Midsummer Night's Dream at the Rock Island Masonic Temple.