Mocking the Oscars – or any made-for-TV awards spectacle with the fool’s errand of crowning the “best” in the arts – is a time-honored tradition. Sometimes it’s even important, as with last year’s backlash against the whiteness of that Academy Awards slate of Best Picture and acting nominees. (That paleness was a bit of an anomaly in recent times, as I’ll show in a bit.)
So let’s give the Academy its due: Expanding the Best Picture field – starting with 2009 movies – from five nominees to as many as 10 was a smart and ultimately necessary change with substantial benefits, no matter how you parse it.

Seth MacFarlane, I thought, did a fine job hosting the 85th Academy Awards ceremony. He turned out to be a fine choice for the frequently thankless Oscar-emcee position, tossing in some fine jokes in between the generally fine production numbers and mostly fine acceptance speeches ... .
The first trophy handed out at the 2012 Academy Awards ceremony was for Best Cinematography, a prize that I predicted would go to The Tree of Life but that instead went to Hugo. (Seriously, after his undeserved losses for 2006's Children of Men and now the Terrence Malick film, exactly whom does Emmanuel Lubezki have to do to win an Oscar?) But that was actually my second incorrect assumption of the evening, because as soon as host Billy Crystal stepped on stage, I said to the others at my viewing party, "Here comes the standing ovation," and the audience - despite giving the man a warm reception - remained seated. Did the crowd have a collective premonition of just how spectacularly Crystal would bomb last night?

Before getting into what went wrong at last night's Academy Awards ceremony - and sadly, quite a bit went wrong - let's begin by addressing the one portion of the telecast that, for maybe the first time in Oscar history, went magically right.
All told, I thought this year's Academy Awards telecast was awfully satisfying, and I'm not saying that because I predicted 18 out of 24 categories correctly.
Okay, yes, we've been trying this for years. But this time, I think I've finally figured out how you can score 24 out of 24 in your office's annual Academy Awards pool.
A Best Picture slate for the Oscars with twice as many titles as usual? A female front-runner for the Best Director trophy? Not one, not two, but three science-fiction films potentially up for the big prize? What the hell is going on this year?!?
Seriously, by the end of Hugh Jackman's opening number during the 2009 Academy Awards telecast, did it even matter if the rest of the show was any good?






