THE SMURFS 2

Upon returning from my screening of The Smurfs 2, a buddy asked what I thought of the film, and I told him that Hank Azaria - the comic genius who plays the nefarious, Smurf-loathing wizard Gargamel - was awfully funny in it. My friend asked, "When isn't he?", and beyond the TV-movie tearjerker Tuesdays with Morrie, I couldn't provide an example. (And in truth, at appropriate moments in his Emmy-winning dramatic turn, the actor is awfully funny in Tuesdays with Morrie.) Consequently, as he's nearly always this inspired on-screen, Azaria's hilariously outlandish performance probably isn't reason enough to see director Raja Gosnell's blue-hued sequel, at least if you don't have small children pressuring you to do so.

If, however, you're a childless adult who chooses to attend The Smurfs 2 anyway, your secret's totally safe with me, because Azaria actually does make this kiddie comedy worth sitting through - though perhaps only if you catch it during bargain-matinée hours, or have a cineplex gift card that you were just gonna throw out otherwise.

Risky Business

"The Winning Streak"Theatre can be a great escape, but it can also be so much more. In 2006, most of the area's challenging works were presented by the New Ground Theatre, My Verona Productions, and the Prenzie Players, and over the past year and a half, I've had the pleasure of interviewing the impresarios of these organizations: New Ground Artistic Director Chris Jansen, My Verona producers Sean Leary and Tristan Tapscott, and Prenzie founders Cait Bodenbender, John Luxton, Aaron Sullivan, and Denise Yoder.

So, as I'm on a first-name basis with all of them, permit me to direct a few holiday cards their way:

Jim Caviezel in FrequencyFREQUENCY

All tearjerkers, in one way or another, focus on death. Tearjerkers for Guys, however, focus on the death (or impending death) of one's father. For my money, the crème de la crème of this genre is Field of Dreams, where Kevin Costner's love of baseball (another Tearjerkers-for-Guys staple) leads to the resurrection of his long-deceased dad, and which is so shamelessly manipulative and contrived and romantic about its supernatural and spiritual possibilities that it's irresistible.