Kailey Ackermann, Ben Holmes, Sarah Lounsberry, Noel Huntley, and Cole Harksen in Into the Woods

You know those earworms you get when you can’t get a song out of your head no matter how you try? That happened to me several weeks ago after listening to the soundtrack from the Broadway hit Hamilton. My earworms were so intense that I had difficulty falling asleep, and I would elicit strange looks from people in the grocery aisles as I was unknowingly singing “My Shot” out loud. But the cure was found by my attending Quad City Music Guild’s Into the Woods on July 7, and this brilliant send-up, with its quirky, witty songs, wiped out my old earworms without creating new ones.

St. Ambrose University's Commedia Dell'arte, which closed its one-weekend run on April 19 *, was like nothing I'd previously seen on a local stage. Director/writer Daniel Rairdin-Hale and composer Dillon Rairdin put together a production that felt like a sequence of sketch-comedy bits and musical numbers, but one linked by a story about a mistaken romance forbidden by two fathers. Servants step in to help the young lovers, and hilarity ensued by way of juggling, dancing, singing, the playing of instruments, and comical gags both aural and physical, with most of the actors performing in mask.

Emily Blunt and James Corden in Into the WoodsINTO THE WOODS

"Do you know what you wish? Are you certain what you wish is what you want?" - lyrics from Into the Woods

Lauren VanSpeybroeck, courtesy of Nick West PhotographyAs with many things in life, it can be blamed on a friendly purple dinosaur.

Mike Millar and Charlene Engstrom in Hello, Dolly!Quad City Music Guild's Hello, Dolly! seems something of a self-parody, as director Erin Lounsberry amps up the silliness of the piece, reveling in the fun of it rather than taking this story of the matchless matchmaker too seriously. It's Lounsberry's almost campy approach that makes the production worth seeing, with Tristan Layne Tapscott and Bryan Tank carrying much of its wacky weight.

Bye Bye Birdie at the Clinton Area Showboat TheatreAmong Bye Bye Birdie's signature numbers is the show-tune staple "Put on a Happy Face," and barring one intentionally, gloriously sour exception, the cast for the Clinton Area Showboat Theatre's winning and energetic production of this Broadway warhorse has done just that.

 

Rochelle and Jonathan Schrader in The King & ILocal audiences have seen married actors Jonathan and Rochelle Schrader appearing opposite one another numerous times over the years: in Oper a@ Augustana's The Pirates of Penzance and The Mikado; in the former Green Room Theatre's Into the Woods; and in Quad City Music Guild's Babes in Toyland.

But with Countryside Community Theatre's presentation of The King & I, running June 22 through 30 at Eldridge's North Scott High School, patrons will see the Schraders interact in a way that, on-stage at least, they never have before.

"This is the first time we've actually gotten to play semi-romantically together," says Jonathan, who enacts the titular, short-tempered King of Siam - a role made legendary by Yul Brynner - opposite his wife's stalwart schoolteacher Anna. "I've played her father several times, and I tried to kill her in Babes in Toyland, but ... ."

Into the WoodsThe scenic design for the Clinton Area Showboat Theatre's Into the Woods is deceptively simple - basically a half-dozen white drop curtains hanging ceiling to floor, with a few stone steps decorating the otherwise bare stage. But don't be fooled: Like a rabbit being pulled from a hat, something truly magical emerges from this production's minimalist-by-necessity façade.

Reader issue #708 Playwright Tony Kushner's Angels in America begins its run at The Green Room Theatre on October 31, and to hear artistic director Tyson Danner describe it, he and executive director Derek Bertelsen couldn't have chosen a more appropriate production to open on Halloween.

"It's a monster," says Danner.

Into the WoodsInto the Woods (August 10 - 12, 2007): The Green Room's debut production was Stephen Sondheim's and James Lapine's fairy-tale musical, and many of its cast members had previously worked with director Derek Bertelsen (also the venue's Executive Director) and music director Tyson Danner (the Artistic Director) in the pair's previous, fund-raising performances for the Children's Therapy Center of the Quad Cities: 2005's Ragtime and 2006's The Secret Garden. Both vividly remember opening night.

 

Derek: It smelled like fresh paint.

Tyson: It did. We painted that morning.