Jason Statham in Death RaceDEATH RACE

Inspired by the 1975 thriller Death Race 2000, writer/director Paul W.S. Anderson's Death Race isn't much of a movie. But you don't go to it expecting a movie; you go expecting a bone-crunching, brain-splattering, ass-kicking cinematic video game, and that's exactly what you get.

Javier Bardem and Penelope Cruz in Vicky Cristina BarcelonaVICKY CRISTINA BARCELONA

In 1992's Husbands & Wives, Juliette Lewis' neophyte reads an unpublished novel by Woody Allen's author, and responds to its romantic ennui with an exasperated "Are our choices really between chronic dissatisfaction and suburban drudgery?" Sixteen years later, with Vicky Cristina Barcelona, the writer/director's response appears to be: Yup. Yet while we Allen fans have been here before, we've never been here before.

Seth Rogen and James Franco in Pineapple ExpressPINEAPPLE EXPRESS

As the happily zonked, pot-dealing Saul in Pineapple Express - written by Superbad screenwriters Seth Rogen (who also stars) and Evan Goldberg - James Franco is wonderfully unpredictable. The actor has flashed the occasional grin in previous film roles, but his uncanny resemblance to James Dean finds him so often used for brooding melancholy, most notably in the Spider-Man films, that his emergence as an inventive and quick-witted comedian in this stoner-buddy action farce is cause for celebration. Or rather, it would be, if Franco had a better movie in which to display his gifts.

Brendan Fraser in The Mummy: Tomb of the Dragon EmperorTHE MUMMY: TOMB OF THE DRAGON EMPEROR

Obviously we're not meant to take The Mummy: Tomb of the Dragon Emperor seriously, as it's a fantasy in which Brendan Fraser kicks the crap out of Jet Li. But honestly, even on this harmlessly dopey franchise's own lowbrow terms, could director Rob Cohen's installment be any more witless?

Will Ferrell and John C. Reilly in Step BrothersSTEP BROTHERS

As I see it, the only way you can remotely enjoy director Adam McKay's Step Brothers is by accepting that all of the characters in it, even the seemingly levelheaded ones, are out of their minds. And even then you might not enjoy it.

Heath Ledger in The Dark KnightTHE DARK KNIGHT

The buzz on Heath Ledger's portrayal of the Joker in The Dark Knight may start to wane by the time the late actor is awarded the Oscar for it, but the effects of this performance are likely to be felt for years, if not decades.

Selma Blair and Ron Perlman in Hellboy II: The Golden Army[Yes, we're aware that this is the second week in a row in which the movie-review headline is some sort of "Superman" pun. Considering how many superhero movies have already been released this summer, we're impressed that we've kept the tally to merely two.]

HELLBOY II: THE GOLDEN ARMY

I found Guillermo del Toro's Hellboy II: The Golden Army considerably more entertaining than the writer/director's 2004 comic-book adaptation Hellboy, but let's keep in mind that I didn't really care for Hellboy much at all.

Will Smith in HancockHANCOCK

It's been a couple of days now, and I find that my feelings toward the Will Smith blockbuster Hancock remain naggingly unresolved. And unfortunately, those feelings aren't going to be resolved through writing a review, because most of what I find troubling is troubling because of a mid-film plot development that I wouldn't dream of giving away. In the end, I found Hancock to be funny, smart, silly, exciting, preposterous, maddening, and unexpectedly haunting, but until it becomes safe to discuss the movie in full, it'll be tough to explain exactly why.

WALL•EWALL•E

Pixar's WALL•E is the best 100 minutes I've spent at the movies this year. It may wind up being the best 100 I'll have spent at the movies all year. (The first half seems perfect, and the second half seems merely to be Pixar working at full inspiration, which is the closest thing to perfect.) Prior to WALL•E, I found it impossible to decide whether Toy Story 2 or Finding Nemo or The Incredibles was my favorite of the studio's features. Now they're all fighting for second.

Anne Hathaway and Steve Carell in Get SmartGET SMART

I can only imagine the business conversation that led to remaking TV's Get Smart as a big-budget summertime blockbuster. But I'm guessing it went something like this: "Let's remake TV's Get Smart as a big-budget summertime blockbuster!" "Okay! Let's!"

Pages