Shannon O'Brien, Karina Monrreal, and Hannah Murray in The Dinner PartyWhen attending a student production, I'm excited for the young performers, and hope the evening ends with the audience standing and cheering. Such were my hopes on the opening night of Neil Simon's The Dinner Party for the Scott Community College actors , who gave it their best shot with some standout performances. But to have a great production, it helps to have great writing and a great story to tell.

Rumors ensemble members

The cast of the Timber Lake Playhouse's Rumors does its best to squeeze out every bit of humor from playwright Neil Simon's clichéd farce. Some of the actors are wildly successful, eliciting laughter beyond what Simon's script deserves. Others at least have their moments in this play about eight anniversary-party guests trying to figure out why their host (who is never seen) shot himself in the earlobe, and why his wife isn't home for the gathering.

Essentials Tyson Danner (left) and James Bleecker (standing), with Jackie Madunic and Jason Platt, in Angels in America: Perestroika For the third year in a row, I've composed a list of 12 area-theatre participants who devoted their time, energy, and skills to numerous theatrical organizations and venues during the past year. And once again - happily and inspiringly - it hasn't been necessary to repeat names from one year to the next; local theatre, to the great good fortune of local audiences, never seems to run out of talent.

Tom Walljasper, Sandra D Rivera, Tristan Layne Tapscott, and Erin Dickerson in Are We There Yet Five Extraordinary Ensembles

An actor friend of mine says he always wants to be the worst performer in everything he's in, because if the rest of the cast is doing stronger work than he is, that means the show is in really, really good shape. With that in mind, any actor worth his or her salt would be thrilled to be the worst performer among these five ensembles.

 

Jason Platt and Angela Rathman in Misery There was no lack of spectacular work done in area theatre this year, and the following list is hardly exhaustive. But if you were fortunate, you caught at least a few of these 12 performances in 2008; whether taking on a leading role, a supporting role, or (in one case here) the only role, these gifted artists commanded the stage. And, hopefully, your attention.

 

 

 

Don Hazen and Greg O'Neill in The Odd CoupleAs the lights rise on the Harrison Hilltop Theatre's presentation of The Odd Couple, neither Oscar Madison nor Felix Ungar is on stage, though it's clear from the trash-strewn décor that we're in Oscar's living room. Four of the duo's pals are in the midst of their weekly poker game, and eventually one of them calls out to the off-stage kitchen, asking Oscar if he's in or out. Oscar replies, yet before we see him, his voice - moderately high-pitched and a little strangled, and with distinct East Coast cadences - is unmistakable. Oh my God!, you think. Steve Buscemi!

Madagascar: Escape 2 AfricaMADAGASCAR: ESCAPE 2 AFRICA

Dreamworks' animated hit Madagascar concerned a group of Central Park Zoo denizens who, en route to Africa, find themselves stranded on the island of the film's title, and ended with the citified animals forcibly, though not unhappily, taking residence in their newfound environs. Not having seen Madagascar since its 2005 release, I'll admit that I had to look up this last bit of information before catching Madagascar: Escape 2 Africa. And if and when there's a Madagascar 3, I'll no doubt have to look up the details on its predecessor, because a mere two days after attending this sequel, I've already forgotten nearly everything about it.

the Promises, Promises ensemble During a recent post-show conversation, an actor friend and I agreed that perhaps the most exciting moments at any theatrical production are those few seconds before the production even starts, when the lights dim, cell phones (please God) are turned to silent or vibrate, and the venue becomes alive with possibility - with the awareness that, in this live art form, absolutely anything can happen.

Seth Kalwasser and Matt Mercer Before attending St. Ambrose University's production of God's Favorite, I had neither seen nor read Neil Simon's 1974 comedy - based on the Biblical book of Job - in which a wealthy, devout husband and father is tempted into renouncing God, refuses to do so, and subsequently suffers the loss of home, health, and family. I now consider the 34 years between the play's debut and Saturday's presentation the happiest years of my life, as I never had to endure what might be the single most irritating and unfunny comedy I've ever sat through.

Stan Weimer and Diane Greenwood in California Suite For my money, California Suite is the ideal Neil Simon play, as it's actually composed of four independent one-act plays, giving you far less chance to grow exhausted by his characters' persistent wisecracking.

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