Nicolas Cage and Diane Kruger in National Treasure: Book of SecretsNATIONAL TREASURE: BOOK OF SECRETS

National Treasure: Book of Secrets, the follow-up to 2004's globe-trotting-archaeologist adventure, could generously be termed "perfunctory"; it gives (family) audiences exactly the formulaic, Indiana Jones-lite action, romance, and humor they adored in the original. It could also, less generously, be described as "crummy," as returning director Jon Turteltaub ensures that every remedially staged sequence has the same bland, going-through-the-motions tone as the one that came before. (At least its predecessor provided a few jokes.)

The Day After TomorrowTHE DAY AFTER TOMORROW

Despite all the hullabaloo about the film re-opening vociferous debate about global warming and its possible effects, Roland Emmerich's disaster saga The Day After Tomorrow winds up begging exactly one question: Just how much stupidity are mass audiences willing to accept in their summer blockbusters? In any disaster movie, rolling your eyes at the ridiculous onscreen events comes with the territory, but the enjoyable ones temper that reaction with speed and laughs; Emmerich's cheeky, entertaining Independence Day managed the feat of making the end of the world look like an absolute hoot, and that film, within its sci-fi format, is probably the most sheerly pleasurable disaster flick of the past 20 years.

Ben Stiller and Jennifer Aniston in Along Came PollyALONG CAME POLLY

There's a pretty funny movie lurking within Along Came Polly, but unfortunately, it bears little relation to the slack and obvious one Ben Stiller and Jennifer Aniston are stuck in.

Gosford ParkGOSFORD PARK

In Robert Altman's Gosford Park, set in 1932 England, a group of well-to-do guests is invited to a country estate for a shooting party, with their numerous servants in tow, and find their weekend disrupted by the murder of their host.

Helen Mirren and Jack Nicholson in The PledgeTHE PLEDGE

Sean Penn is one of the few dependably downbeat figures in American film, and those who like their dramas moody, atmospheric, and richly detailed will get some initial pleasure with The Pledge, Mr. Penn's third directorial outing.