26
Jan
2015
The beauty of New Ground Theatre's comedy Things Being What They Are lies in how our hearts gradually soften for Michael Carron's crotchety, imposing Jack, a rudely forward character who pushes his presence onto his neighbor Bill (Matt Moody), and whom playwright Wendy MacLeod uses to explore themes of marriage and mortality.
New Ground Theatre's Clybourne Park, written by Bruce Norris as a sequel, of sorts, to Lorraine Hansberry's classic play A Raisin in the Sun, takes quite a bit of time to get rolling. But once it does, this exploration of racial tensions at different points in American history is wickedly hilarious. Director Chris Jansen effectively employs a slow, nearly dull pacing to build to a significant payoff, particularly in the second act, when the purposefully bland tone fits the play's scene of a neighborhood-association meeting. Following Friday's performance, I was amused at how, during the presentation, I went from being almost bored to laughing heartily.
Describing composer William Finn's Elegies: A Song Cycle, the first presentation by the Quad Cities' new theatrical company the Riverbend Theatre Collective, artistic director Allison Collins-Elfline says of the show, "It's quirky, it's fun, it's upbeat ... ."
New Ground Theatre's Living Here is composed of five one-acts by local playwrights, each one set in the Quad Cities, and I applaud New Ground's decision to stage this showcase for local talent; the production as a whole is more than inspiring, it's important, and the efforts of these theatrical artisans deserve to be seen.
Lee Blessing's The Winning Streak, currently at Davenport's Nighswander Theatre, is one of those shows that could easily read better than it plays.
