From the opening minutes of Elegies: A Song Cycle, the debut presentation by the Riverbend Theatre Collective, it's clear that the production is going to be beautifully performed. An uninterrupted, 90-minute collection of reminiscences by composer William Finn, the revue finds Allison Collins-Elfline, Patrick Gimm, Jackie Madunic, Dana Joel Nicholson, and Bryan J. Tank offering musical tributes to people (and pets) that Finn loved and lost, and they form an intimidatingly strong vocal ensemble, excellent in their solos and even finer in harmony.
Describing composer William Finn's Elegies: A Song Cycle, the first presentation by the Quad Cities' new theatrical company the Riverbend Theatre Collective, artistic director Allison Collins-Elfline says of the show, "It's quirky, it's fun, it's upbeat ... ."
My Verona Productions' last stage presentation premiered almost a year ago, so you could argue that the company is simply making up for lost time with its production of Christian Krauspe's Inside Out, a play within a play within a play (within another play, if I interpreted the climactic scene correctly). Yet based on its April 10 preview performance, the author's work-in-progress is still less a play than a stoner's conceit - "What if, like, everything we say and do is being written by, like, some unseen higher power who's, like, determining our actions without, like, our knowing it?" - and holds together about as well as most stoned ramblings; a few hours and a few bags of chips later, your "insights" begin to look rather dim.
There's no playwright, living or deceased, whose words I would rather listen to than Tennessee Williams. And if you don't already share that opinion, the first few minutes of the Green Room's The Glass Menagerie - with actor Eddie Staver III introducing us to Williams' "truth in the pleasant disguise of illusion" - might be enough to change your mind.Subscribe & Listen to Reader Podcasts
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