17
Dec
2008
For the third year in a row, I've composed a list of 12 area-theatre participants who devoted their time, energy, and skills to numerous theatrical organizations and venues during the past year. And once again - happily and inspiringly - it hasn't been necessary to repeat names from one year to the next; local theatre, to the great good fortune of local audiences, never seems to run out of talent.
My Verona Productions' last stage presentation premiered almost a year ago, so you could argue that the company is simply making up for lost time with its production of Christian Krauspe's Inside Out, a play within a play within a play (within another play, if I interpreted the climactic scene correctly). Yet based on its April 10 preview performance, the author's work-in-progress is still less a play than a stoner's conceit - "What if, like, everything we say and do is being written by, like, some unseen higher power who's, like, determining our actions without, like, our knowing it?" - and holds together about as well as most stoned ramblings; a few hours and a few bags of chips later, your "insights" begin to look rather dim.
So enough of my opinions already. The following are reflections by Derek Bertelsen, Tyson Danner, Kristofer Eitrheim, Kimberly Furness, Jennifer Kingry, Mandy Landreth, J.C. Luxton, Jackie Madunic, Angela Rathman, Jalayne Reiwerts, Susan Simosky, and Doug Tschopp - local-theatre artisans who enjoyed a memorable 2007.
So, fellow fans of the former Brew & View, there's good news and bad news:
It may seem like an odd thing to praise right off the bat, but in Swinging on a Star - the musical revue currently playing at the Playcrafters Barn Theatre - director/choreographer Cindy Ramos-Parmley delivers some absolutely first-rate scene transitions.
As it was a technical dress rehearsal with four days to go before opening night, it was understandable that the March 19 presentation of Quad City Music Guild's Beehive encountered a few glitches. The scene transitions were on the poky side; it was often unclear, during the frequent medleys, whether musical numbers were supposed to end with applause or not (there were a few too many uncomfortable pauses); and the sound, during Act I especially, obviously needed polish - the over-amplification on the opening number, in particular, was painful.
