LOVE ACTUALLY

If you are to believe the (mostly) glowing responses to Love Actually, writer-director Richard Curtis has compressed material for a half-dozen romantic comedies into one, creating, in the words of one reviewer, "an epic romantic comedy." But that's not exactly accurate. For his first directorial outing, Curtis - the clever, funny screenwriter of Four Weddings & A Funeral and Notting Hill - has apparently decided to take every idea he's ever had, every last one, and blend them into a frothy, holiday-themed confection; it's less an epic romantic comedy than a romantic comedy shaped as an epic (which isn't the same).

THE RECRUIT

In Roger Donaldson's The Recruit, Colin Farrell plays M.I.T. graduate James Clayton, whose astonishing computer prowess catches the attention of C.I.A. agent Walter Burke (Al Pacino). Burke enlists Clayton to join the organization, bringing the young man to a top-secret, governmental compound nicknamed The Farm, where Clayton will train as a C.I.A. operative. While at The Farm - a hall-of-mirrors environment where, we're told ad nauseum, "nothing is what it seems" - Clayton falls for fellow recruit Layla (Bridget Moynahan), who, Burke later reveals, is secretly a mole, attempting to sabotage the C.I.A. from within; Clayton's assignment is to catch her in the act. Will Clayton's love for Layla threaten his allegiance to the C.I.A.? Does Layla even have a secret agenda? Is Burke really who we think he is? Is anything what it seems?

GOSFORD PARK

In Robert Altman's Gosford Park, set in 1932 England, a group of well-to-do guests is invited to a country estate for a shooting party, with their numerous servants in tow, and find their weekend disrupted by the murder of their host.