"Literally thousands of people have come through this building to perform on our stage," says Craig Michaels, past president of the Playcrafters Barn Theatre's board of directors. "But without demeaning or belittling any of the work that's been done here over the years, I was finding that I didn't feel the entire community was properly represented within our building, both on our stage and behind the scenes."
                                
"We were looking for a name for the group," says Genesius Guild founder Don Wooten, "and I knew of a play called The Comedian, which was about St. Genesius, who was the patron saint of actors. So I called it Genesius Guild. But no such person ever lived. I just thought it was wonderful for actors to have an imaginary patron saint."
After local productions of Altar Call in 2005 and Yard Sale in 2007, area playwright Melissa McBain's latest endeavor - opening April 30 at the Village of East Davenport's Village Theatre - is the solo presentation Going Back Naked. And if you think that's a strange title for a play, its author says she originally considered one that was even more unusual.
St. Ambrose University instructor Michael Kennedy, who has directed more than 75 collegiate theatre productions over the past 40 years, remembers the first - and, to his recollection, only - public complaint lodged against one of his shows, which appeared in the Diocese of Davenport's weekly newspaper The Catholic Messenger.
The Quad Cities' spring theatre season will be bookended by Shakespeare, with the March 6 opening of Much Ado About Nothing, and Sophocles, with the May 28 debut of Oedipus Rex. But just because these plays are, respectively, more than 400 and 2,400 years old, it probably isn't wise to enter them expecting the expected. This Sophocles, after all, is subtitled The Audacity of Oed, and this Shakespeare is being staged by the Prenzie Players, so in both works, you may as well expect anything to happen; considering our lineup also features titles by Stephen Sondheim, Neil Simon, Euripides, and Mel Brooks, I'm thinking you can say the same for the theatre season as a whole.



 




