Thanks to a wealth of talent onstage and behind the scenes, Miracle on 34th Street: The Musical is visually and aurally impressive. But Willson's material sometimes falls short of delightful.

The scenes featuring Savannah Bay Strandin and Stephanie Moeller were particularly engaging highlights of this Dial M for Murder.

Friday's opening-night performance of director Jane Watson's The Sunshine Boys drew lots of big laughs from a smallish crowd. This one definitely deserves a bigger audience.

K: I immediately thought that the tapes, as a plot device, were inspired by The Handmaid’s Tale. In that book, the heroine’s story is recorded on a series of cassette tapes. But you found a parallel in a different dystopian novel.

M: It reminded me of the mysterious films in Philip K. Dick’s novel The Man in the High Castle. But audience members will just have to see for themselves what the tapes are, and what they mean.

Kitty: This show definitely made an impact because we’ve both been singing the songs since Friday night.

Mischa: Curse you, Andrew Lloyd Webber!

The Richmond Hill Barn Theatre's Of Mice & Men is a skillful incarnation of this story, and director Justin Raver, alongside his cast and crew, brought it to vivid life in this production – one that's as stark and realistic as Steinbeck's words themselves.

With gags and asides to the audience, An All-American Riot has a vaudevillian vibe, often fast-paced and engaging, which unfortunately makes the slower scenes drag by contrast.

“Guests, like fish, begin to smell after three days.” Or so goes the quip famously attributed to Benjamin Franklin – and 157 years after Franklin’s death, Tennessee Williams’ renowned A Streetcar Named Desire was first performed, perfectly embodying Franklin’s quote.

Kitty: I adored this production – which honestly surprised me, because I’ve seen this musical performed elsewhere and … didn’t love it.

Mischa: I’ve never seen this show before, but also really enjoyed it. Okay, I’ll admit, the storyline is not amazing. But the execution was superb.

I’ll admit it: When I read the plot description of the Richmond Hill Barn Theatre's latest offering, The Money in Uncle George’s Suitcase, I presumed it was going to be a slightly predictable but funny little story.

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