Taking The Addams Family as a sign, I'm excited about the District Theatre's future in downtown Rock Island's former Argus building, and while there are still a few growing pains to overcome, the company is clearly off to a good start.
A poorly written script isn't enough to derail the Richmond Hill Barn Theatre's Down to Earth. While I've never before thought "Too much exposition!" as much as I did during Thursday's performance, I still enjoyed director Joe DePauw's presentation of playwright Bettye Knapp's weak "comedy fantasy" about angels coming to Earth.
It struck me, during Saturday's matinée performance of Big River at the Timber Lake Playhouse, that theatre is my church, considering I repeatedly wanted to raise my hands in praise and shout "Amen!" at various points, and in ways I used to while attending Sunday services in my younger years. Theatre, for me, is a spiritual experience, and this Big River served as a big-tent revival that reminded me of that truth.
Somewhere near the midpoint of Genesius Guild's Peace, the leading character Trygaeus - as characters routinely do in Lincoln Park's late-summer slapsticks - suddenly realizes that the play he's in doesn't really have a plot. One of his scene partners, though, tells him that perhaps that's a good thing. After all, if they don't have a plot, "maybe we won't get reviewed." Nice try, Guild.
While I expected to enjoy Quad City Music Guild's Mary Poppins on Friday, I didn't anticipate being as mesmerized as I was by this stage adaptation of the Disney film. The movie's songs by Robert and Richard Sherman are there, with additional tunes by George Stiles and Anthony Drewe, and a book by Julian Fellowes that adds elements from P.L. Travers' children's-lit classic. And the result, while three hours long, is an improvement on its cinematic inspiration, with the additional material even more interesting than the familiar story elements.
Thursday's performance of Next to Normal didn't appear as well-attended as the rest of the Clinton Area Showboat Theatre's opening nights this summer. Yet while this musical trip through a family's struggle with the mother's mental issues may not be as familiar as a Cats or Steel Magnolias, this isn't a piece to miss. The songs by Tom Kitt and book by Brian Yorkey are powerful testimonies to the reality of mental illness for those who suffer from it, and those who suffer through it alongside a loved one.
The Circa '21 Dinner Playhouse's production of Boeing-Boeing is a colorful rendition of French playwright Marc Camoletti's classic farce - and that's just the set and costumes. Scenic designer Susan Holgersson's and costume designer Gregory Hiatt's combined use of bright primary and secondary colors is stunning, with Holgersson's seven-door set providing delight even before the opening of this comedy's proverbial curtain.
Before Saturday's opening-night presentation, executive director Doug Tschopp took the stage for Genesius Guild's traditional pre-show announcements and T-shirt giveaway, and kindly asked the crowd for continued financial support, especially given the organization's decreased support since 2008 from the State of Illinois. Not to make light of a very real monetary concern, but I wish power players from Nike had been there for Tschopp's request. Because after seeing Macbeth, they might've happily handed over a check, considering the motto for everyone involved in director Michael King's inspiriting production appeared to be the same: "Just do it."
Though I've watched the film version several times and viewed a staging of its musical earlier this summer, the Timber Lake Playhouse's production of Big Fish still had me choking back tears despite my (over-)familiarity with the material. That's in no small part due to the magic in director James Beaudry's staging, the cast's endearing rendering of the supporting characters, and Karl Hamilton's captivating charm as Edward Bloom, the father at the center of this tale of tall tales.
Not long into author Robert Harling's ensemble dramedy Steel Magnolias, the Louisiana beautician Truvy asks local socialite Clairee Belcher about the recipe for a delicacy called "cuppa cuppa cuppa," the ingredients for which are a cup of flour, a cup of sugar, and a cup of fruit cocktail. Truvy says it sounds awfully rich, and Clairee replies that it is, "so I serve it over ice cream to cut the sweetness."Subscribe & Listen to Reader Podcasts
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