With freshly painted arches and some ghostly trees on the furthest front flats, set designer Miranda Callahan’s work on Medea was interesting enough to generally distract me from the gnats that were apparently immune to insect repellent.

It must be summer again, because I’m back to making the trek upstate to Timber Lake’s cozy playhouse in the woods. And as directed by Jay Berkow, their 2024 opener, The Nerd, is a crowd-pleasing comedy that features strong performances and solid jokes.

It took time for some of the performers in director John Donald O'Shea's production at the Richmond Hill Barn Theatre to fully inhabit their roles; consequently, I was slow to warm up to the show. But I did. The compelling mystery aspects enter the script late, too, but are ultimately engrossing.

I didn’t know much about John Guare’s The House of Blue Leaves before attending Saturday’s performance, and to tell you the truth, now having seen the Playcrafters Nbarn Theatre's production directed by Kathy Graham, I still feel like I’m missing key insights.

Taking flight once again, the Mockingbird on Main has returned with Harper Lee’s classic To Kill a Mockingbird, now playing at Moline’s Black Box Theatre. Directed by Mockingbird co-owners Tristan Tapscott and Savannah Bay Strandin, their newest production offers a searing look at a nearly century-old America that still feels all too relevant now.

A supremely enjoyable night out on the town, the full experience of the Circa '21 Dinner Playhouse's latest presentation includes some great food, a blast of a pre-show, and an amazing musical – Jersey Boys to cap things off. With the production helmed by Michael Ingersoll, this is an evening of theatre not to be missed.

Murder in the Studio, the Black Box Theatre’s latest production, helmed by co-owner Lora Adams, is a charming trip into yesteryear. Three radio plays, written by renowned novelist Agatha Christie, are staged as if they were being performed in a live broadcast, with strong actors backing up 90 minutes of gripping theatre.

I've visited this little theatre, and knew it was in the mainstage's large green room, but o, my brothers and sisters – I'd never seen it like it is now.

Director Aaron Baker-Loo created a memorable musical production – though, admittedly, I found the whole saga more depressing than I remembered. Luckily for the Spotlight, their presentation is also an enchanting spectacle that is more than enough to keep even the youngest viewer interested.

2013's Exit Laughing is at Geneseo's Richmond Hill Barn Theatre, and it is a damn good time. Director Mike Skiles and his cohorts have built an entertaining, satisfying production on the foundation of a solid script.

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