I don’t know about you, but I’m a Christmas-Music-After-Thanksgiving-and-Not-Halloween kind of person.. This isn't to say I’m a Grinch or a Scrooge; it's more that I find the charm of the holidays best enjoyed in smaller doses. Thankfully, the Timber Lake Playhouse’s most recent production Million Dollar Quartet Christmas, directed by Tim Seib, offers a rousing alternative to typical Christmas fare.

Augustana College’s latest production, directed and choreographed by multi-hyphenate Shelley Cooper, is an area debut and a pleasant surprise. While I knew nothing about Nine before the musical's Tuesday-night dress rehearsal, the show offers a slew of treats for anyone who chooses to attend, regardless of one's familiarity with the material.

Director/choreographer Ashley Becher, her performers, and her crew have whipped up one merry and delicious fudging indulgence. You don't need to know the movie to love this show.

I knew next to nothing about [title of show] before attending Friday’s opening-night performance at St. Ambrose University. I was aware of it in the sense that I knew it was a musical, and I’ve had people tell me I would love it, given that I do so (too?) much theatre. Yet after finally seeing the show for myself, I’d say I left the theatre more entertained than enamored.

At Friday’s performance, the laughs were riotous ones, and while this might not be intellectual humor, funny is funny.

If you're one of those folks excitedly looking forward to snow, and this week's forecasted highs in the 60s are bringing you down, you can step into a cold New England night this weekend and bask (sort of) in that chilly atmosphere – plus get a warm, bountiful evening of entertainment – at the Playcrafters Barn Theatre.

If you find yourself at odds with gloomy October weather, walking into Moline's Black Box Theatre and its production of Suddenly Last Summer will brighten your spirits, given that you can’t help but be immediately impressed by the onstage greenery.

Bram Stoker sucked the life force from the works of Transylvanian folklore scholar Emily Gerard for his 1897 novel Dracula. His immensely popular book, in turn, has been drained of its essence by many adapters. Playwright Kate Hamill's version is Dracula: a feminist revenge fantasy, currently running at Augustana College. But this show is probably not what you think it is.

Had I gone by the sudden chilly weather, or the title of the play itself, I would have assumed I was on my way to a night of frights at the Playcrafters Barn Theatre. Despite its name and October debut, however, there were no scares to be had on Friday – unless, that is, you jump a little at the sight of the word “layoffs.” Skeleton Crew, written by Dominique Morisseau and directed here by Marquita Reynolds, is a solid stage experience and worth seeing.

The world seems to be rampant with disappointments, disasters, and persistent obstacles. Conflict drives drama, but does real life have to be so hard so often? Sometimes, theatre can provide answers, comfort the life-weary, or entertain so thoroughly that you forget your problems. The Richmond Hill Barn Theatre's production of The Seafarer does all three.

Pages