Described by Time Out New York as a play that “provides a pleasurable ripple of fear down one's spine and an uncomfortable lurch in the pit of one's stomach,” the intimate chiller The Woman in Black enjoys a spooky-season run at Geneseo's Richmond Hill Barn Theatre, its October 2 through 12 engagement inviting audiences to witness an evocative stage tale that The Daily Mail called “a truly nerve-shredding experience.”

Mischa: Kristin Wetherington absolutely delivered. From start to finish, she commanded the audience’s attention, with carefree positivity at first, then convincing anguish as the story reached its emotional climax.

Kitty: I was also really impressed by her ability to maintain a consistent, believable Italian accent throughout, both in her speaking and her singing.

Lauded by DC Theater Arts as the "definitive whodunit ... rife with scandal, suspicion, deceit, and, of course, murder," Agatha Christie's Murder on the Nile, the stage version of the legendary novelist's Death on the Nile, enjoys a September 12 through 21 run at Moline's Playcrafters Barn Theatre, DC Theater Arts adding that the theatrical mystery showcases "Christie’s inarguable genius for plot twists and tangled webs of deception."

A legendary theatrical work that won both the 1963 Tony Award for Best Play and the 1962–1963 New York Drama Critics' Circle Award for Best Play, Edward Albee's Who's Afraid of Virginia Woolf? opens the 2025-26 season at Iowa City's Riverside Theatre, this savagely funny and painfully emotional drama helmed by Riverside's artistic director Adam Knight and featuring venue favorites Tim Budd and Kristy Hartsgrove Mooers.